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從符號學角度探討達利作品中潛意識象徵之意義建構與解讀

A Study on "Subconscious Symbolic Sign" in Salvador Dali's Works

摘要


本研究從符號學角度探討達利作品中潛意識象徵之意義建構與解讀,透過符號學的相關論述,進行文獻資料的整理與研究,並提出符號學理論應用於藝術創作之可能性。本研究共分兩個階段進行:第一階段採用「文獻調查法」綜合相關文獻整理,提出符號學的各種相關論述與比較,以作為本研究理論基礎。第二階段,採用KJ法,進行文獻資料整理分類,並從中選出達利代表性作品五張,運用符號學家羅蘭‧巴特(Roland Barthes)的「意義分析擴充論」(即外延意義與內涵意義),進行圖像符號意義之分析與解構;藉此建立達利作品中圖像符號意義之建構脈絡,期望透過符號學理論的分析,能幫助藝術創作者產生新的創作思維與方法。

關鍵字

達利 符號 潛意識

並列摘要


The research intends to discuss ”Subconscious Symbolic Sign” in Salvador Dali's works. With the related data of semiology, the research will collect and study all the informationobtained, and indicate the possibility of applying the theory of semiology to artistic creation. There are two sessions in this research. First of all, adopting the approach of data investigating to integrate related information, the research manifests the related theses and comparation as the meaning construction and theory foundation for discussing ”Subconscious Symbolic Sign” in this research. In the second session, there will be the classification of data which made by ”KJ Approach”. Choosing five representative works of Dali, the research will proceed with analyzing and restructuring meaning of graphic sign, with the application of Roland Barthes's ”Theory of Expansion for Meaning Analyzing, ”which includes external and internal meaning. Therefore, there will be clues for analyzing graphic signs in Dali's works. The research hopes that it will help artists to give birth to new ideas and methods with the analysis of semiology.

並列關鍵字

Salvador Dali sign subconsciousness

參考文獻


王熙元(1995)。詩中的移情作用。國文天地。10(8)
呂靜修(2007)。視覺、標誌符號與表徵。設計研究學報。創刊號
何政廣(2001)。超現實主義大師達利。台北:藝術家。
李幼蒸(1999)。理論符號學導論。北京:社會科學文獻。
胡永芬(2001)。幻想國度之神─達利。台北:大月氏設計事業有限公司。

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