敦煌壁畫「取經圖」再議

The ＂Searching for the Sutras＂ Wall Paintings in Dunhuang Revisited

簡佩琦(Chien, Pei-chi)

《玄奘佛學研究》 27期 (2017/03) Pp. 43-84

摘要

敦煌地區的「取經圖」，歷經1990 年段文傑院長首度披露有六幅，提出：1、出場人物只有玄奘、猴行者、白馬；2、以《大唐三藏取經詩話》為藍本創作而成。2009 年劉玉權提出不同觀點，認為第29 窟向水月觀音朝拜只是一般的朝聖者，於是「取經圖」被定義為只有五幅。此文導致此後「取經圖」的研究深受影響，凡此研究幾乎不論第29 窟，研究進展多半停留在此。筆者首先重新檢視所有敦煌「取經圖」，發現第29 窟不但是取經圖，而且還有兩幅。其次再透過圖像與文本《大唐三藏取經詩話》的考察，確認敦煌取經圖應至少有七幅為是。

關鍵字

敦煌 ； 取經圖 ； 大唐三藏取經詩話 ； 玄奘 ； 水月觀音

並列摘要

The earliest discussion of ＂Searching for the Sutras＂ wall paintings in Dunhuang was made by the then Head of the Dunhuang Art Institute, Duan, Wen-jie in 1990. He found 6 paintings on this subject and he concluded that the main figures are Hsuanchuang, the monkey-escort, and the white horse. In addition, he attributes the paintings to a text ＂The Poems and Lines of the Great Tang Sanzang Searching for the Sutras.＂ In 2009, Liu, Yu-quan argued that the image in Cave 29 is a generic portrayal of devotees paying homage to the Water-Moon Guanyin, rather than the story of Hsuanchuang. Therefore, Liu thought that there are only 5 images on Hsuanchuang's journey to India in Dunhuang. Most scholars seemed to agree with Liu's argument and only discussed 5 images regarding Hsuanchuang then after. However, my thorough research on these images reveals that there are actually 2 paintings in Cave 29 representing Hsuanchuang's journey to India. Furthermore, the intertextual-and-imagery study confirms that there are at least 7 images picturing Hsuanchuang's searching for Sutras in Dunhuang.

並列關鍵字

Dunhuang ； ＂Searching for the Sutras＂ wall paintings ； The Poems and Lines of the Great Tang Sanzang Searching for the Sutras ； Hsuanchuang ； Water-Moon Guanyin

參考文獻

[唐]慧立本、彦悰笺，《大唐大慈恩寺三藏法師傳》，《大正藏》冊50。

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