林燿德後都市詩學理論的建構

The Construction of Post-urban Poetry Theories By Lin Yao-de

王文仁(Wen-Jen Wang)

《高應科大人文社會科學學報》 7卷1期 (2010/07) Pp. 71-91

https://doi.org/10.29888/KUASJHSS.201007.0004

摘要

在林燿德所推動的文學浪潮中，「都市文學」無疑是其中最具深度及廣度的議題。其所具有的深刻意義，在於全球化的時代下，舊價值體系崩潰，都市化的生活、思考與草根性匯合，田園與都市的界線打破，故須相應地形塑出新美學與世界觀。循此，林燿德的後都市詩學理論乃在於：一、從解構觀點出發，破除「都市文學」做為某種次文類的中心／邊緣，城／鄉對立的意識型態，釋放出多元詮釋的可能。二、從後現代語言學的角度出發，打破寫實主義粗糙摹擬論的迷思，重新思考全球化都市乃至於都市空間的實質內涵。三、結合三、六○年代都市文學的成果，融入世界人的視野，建立後都市詩學以為新一代都市文學的創作依據。

關鍵字

林燿德 ； 都市文學 ； 後都市詩學理論

並列摘要

In the waves of literary writing promoted by Lin Yao de, ”Urban Literature” is undoubtedly the most profound issue with the greatest depth. In the age of globalization with the collapse of antiquated value systems, urbanized lifestyles, infusion of ideas and grass root nature, the disappearance of boundaries that separate countryside and cities, the deeper meanings and connotations that ”Urban Literature” carries had to shape new aesthetics and world views in accordance to respective topographies. And as such, Lin'spost-urban poetry theories were based on three primary elements: I. Set out from a deconstructive perspective to reject the idea of projecting ”Urban Literature” as the center/edge of specific sub-literature or the format of awareness that describes the opposition of cities/countryside to enable diversified interpretations. II. Set out from a post-modern linguistics perspective to dismiss the crude imitations of realism while calling for re-consideration of tangible substances in urban space caused by the globalization of cities. III. Combine the fruits of urban literatures from the 30s' and 60s' and incorporate the views of people around the world to construct the basis of creation of post-modern poetry as the successor of urban literature.

並列關鍵字

Lin Yao-De(林燿德) ； urban literature ； post-urban poetry theories