健全作家與殘疾作家筆下的中國當代殘疾文學研究─以王祥夫與史鐵生為探討對象

Chinese Disability Literature by Non-Disabled writers and Disabled Writers: A Case Study of The Novels of Wang Xiang-Fu's and Shi Tie-Sheng's

蔡知臻(Chih-Chen TSAI)

《國際文化研究》 12卷1期 (2016/06) Pp. 35-53

摘要

本論文以中國當代殘疾文學為研究基底，分析與比較健全作家所創作的殘疾主題文學以及殘疾作家所創作的殘疾作家文學，並且重新定義殘疾文學這樣一個較新的文學分類。透過分析與比較，本文指出，王祥夫與史鐵生筆下的〈半截兒〉與〈命若琴弦〉可以看出其書寫特色，殘疾文學除了反映底層人民與殘疾人生活之外，從兩篇小說中亦反映了當代社會對殘疾人的想像與描摹。以身體差異與心理欲望點出健全作家的殘疾文學著重在外觀描摹、社會困境，而殘疾作家的殘疾文學重情慾、社會與現實困境等等。

關鍵字

中國當代殘疾文學 ； 健全作家 ； 殘疾作家

並列摘要

This paper mainly discusses contemporary Chinese disability literature. It not only analyzes but also compares and contrasts literary works featuring disability by both non-disabled and disabled writers. The paper also redefines ＂disability literature＂, which is relatively a new genre of literature. Through analysis and comparison, this paper points out the writing characteristics of Wang Xiang-Fu's ＂Half Man＂ and Shi Tie-Sheng's ＂Life as a String.＂ Also, disability literature reflects the life of people from the underclass and the imagination and depiction on the disabled from the society at the time, the main idea of which these two novels both include. Moreover, this paper also discusses the different features between non-disabled and disabled writers in terms of their physical differences and inner desires: non-disabled writers tend to put more emphasis on the disabled's figure depiction and hardship of life in their literature; while, disabled writers focus mainly on the depiction of the disabled's sexual passion and difficulties to face in real life.

並列關鍵字

Chinese Contemporary Literature on Disability ； Non-Disabled Writer ； Disabled Writer

參考文獻

王祥夫(2007)。人呢，聽說來了？。臺北:寶瓶文化。

史鐵生(2004)。命若琴弦—史鐵生小說精選集。臺北:木馬文化。

余慧玲(2013)。信仰之光照亮美麗旅途—簡論史鐵生《命若琴弦》的人生哲理。牡丹江師范學院學報。2013(4)，29-31。

張建波(2012)。理想．幻想．冥想．思想—史鐵生創作的精神軌跡探析。東岳論叢。2012(9)，53-59。

張艷梅(2010)。在底層點亮一盞倫理的燈火—王祥夫小說論。文藝理論與批評。2010(3)，81-87。