後冷戰時代的民眾民主視野：亞洲民眾戲劇工作者的路徑

當資本主義民主幾乎成為唯一選項下，後冷戰時代的我們還能如何想像民主？伴隨冷戰瓦解，1990年代的亞洲民眾戲劇工作者，也沿著相對寬鬆的局勢展開跨域合作。他們關切著以民眾為本位的民主，並透過跨域合作來實踐。本文即重返這段經驗且論證，在參照群眾路線的課題下，他們所實踐出的弱勢跨國主義以及平民民族主義。由此，我將指認出亞洲民眾戲劇工作者呈現的民眾民主視野。文末，我將藉此反思臺灣劇場領域的發展，以及弱勢跨國主義的課題。

關鍵字

民眾戲劇；弱勢跨國主義；平民民族主義；群眾路線

並列摘要

As capitalist democracy almost becomes the only option, how is it possible to imagine an alternative form of democracy in the post-Cold War era? At the end of the Cold War, there has been a surge in transborder collaboration among workers of people's theatre in Asia since the 1990s. These workers share the same concern about the people-based democracy and practice it through international collaborations in the 1990s. This paper revisits their experiences and points out that the "mass line" is a reference point for them to carry out the practice of "minor transnationalism" and "popular nationalism". By so doing, the author of this study indicates the vision of people's democracy presented by the workers of people's theatre in Asia. After discussing their practice, the author reflects on the realm of Taiwan's theatre and the issue of "minor transnationalism" as well.

並列關鍵字

People Theatre ； Minor transnationalism ； Popular nationalism ； Mass line

參考文獻

鍾喬（Chung, Chiao）。2007。〈東亞民眾戲劇的另類視野〉“Dongya minzhong xiju de linglei shiye”[An Alternative Vision of East Asian Popular Theatre]，《思想》Sixiang [Reflexion] 6: 51-68。

楊慧儀（Yeung, Jessica）。2019。《香港的第三條道路：莫昭如的安那其民眾戲劇》Xianggang de disantiao daolu: mozhaoru de annaqi minzhong xiju [Hong Kong's Third Way: The Anarchist People's Theatre of Augustine MOK Chiu-yu]。香港（HongKong）：手民出版社（Typesetter）。

鍾喬（Chung, Chiao）。1994b。《亞洲的吶喊：民眾劇場》Yazhou de nahan: minzhong juchang [Asia's Shout: People's Theatre]。臺北（Taipei）：書林（Bookman）。

Chatterjee, Partha. 2010. Empire and Nation. New York: Columbia University Press.

Shih, Shu-mei. 2020. “A Poetics of The Minor,” Cultural Dynamics 32(1-2): 132-133.

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