聲音與色彩意象之共感覺研究－以中國氣鳴樂器吹孔類（笛與簫）為例

A Study of the Resonant Cognition of Images of Sound and Color as Exemplified by Chinese Aerophone Instruments

蘇文清(Wen-Ching Su) ； 嚴貞(Jen Yen) ； 李傳房(Chang-Franw Lee)

《人文暨社會科學期刊》 2卷2期 (2006/12) Pp. 13-23

https://doi.org/10.7118/JHSS.200612.0013

摘要

從17世紀開始國外學者已從事於樂器、樂曲、音階聲音與色彩共感覺的相關研究，特別是關於色彩音樂(Klangfarbenmelodie)，在歐洲曾風行一時，現今國內學者對於音樂與形、色的研究探討也相當廣泛，不過研究的共通點均是以西方樂器的彈奏聲音為探討對象，對於東方傳統樂器所發出的聲音與色彩意象共感覺的研究探討甚為缺乏。故，本研究擬以中國傳統樂器之“氣鳴樂器”為探討對象，希望透過“氣鳴樂器”所產生的聲音，藉由色彩的意象感知、聯想來呈現聲音的視覺色彩，以探究視覺與聽覺的色彩共感覺之意象轉化(transform)關係。

關鍵字

色彩意象 ； 共感覺 ； 中國氣鳴樂器

並列摘要

Since as early as the 17th century, western academics have engaged in studies relating to the resonant cognition of musical instruments, compositions, scales and colors-especially Klangfarbenmelodie, which prevailed for a while in Europe during the 20th century. This trend has even led contemporary local academics to extensive studies of music and its appearance as well as color; however, most studies have been more focused on the timbre of western musical instruments. Studies of resonant cognition of images of sound and color emitted by traditional oriental instruments are very scarce. Therefore, by focusing on traditional Chinese aerophone instruments, this study further investigates the relationships among the images transformed from the resonant cognition of visual and audio colors through the visual color of sound presented from image cognition and association.

並列關鍵字

color image ； Chinese aerophone instruments

參考文獻

王沛綸(1975)。音樂辭典。台北:樂友書房。

亨利•吉特曼、洪蘭譯(1995)。心理學。台北:遠流。

林宏銘(1998)。色彩與味覺、嗅覺之共感覺研究(碩士論文)。國立雲林科技大學。

林書堯(1977)。色彩認識論。台北:三民。

林書堯(1977)。色彩學。台北:三民。