題聚一唐：清代臺灣賦涉納唐代詩文的書寫趨向

A Study of Intertextuality in Taiwanese Fu during Qing Dynasty and Tang Poetry

游適宏(Shih-Hung You)

《國立臺灣科技大學人文社會學報》 9卷4期 (2013/12) Pp. 307-331

摘要

清代臺灣賦在「題目」（含題下限韻字）上有某種「齊聚一堂」的趨向－典故多出自唐人之作且尤集中於唐詩。清代臺灣賦「題聚一唐」的形成，與乾隆22年科舉加試「唐律」密切相關，士子不僅藉習賦以熟誦唐詩，賦體也因仿襲唐賦舊題、以唐詩句限韻而各顯其貌。又本文「結論」認為，除了可將清代臺灣賦的「題聚一唐」援為臺灣古典詩學研究的參考訊息，清代臺灣賦的「題聚一唐」其實也是清代「文化記憶」的一部分，因此如果以「文化記憶」的角度來理解清代臺灣賦中的「科舉賦」，或能對這些無法從中分析「地理論述」、也缺乏「抵抗殖民」意識的臺灣賦，另啟一條探勘的途徑。

關鍵字

臺灣賦 ； 清代 ； 唐詩 ； 互文性子

並列摘要

In the Qing Dynasty, Taiwan Fu developed towards a trend of ”unanimity”, in terms of naming (and rhyming scheme). Most allusions used in Taiwan Fu were derived from works of Tang scholars, especially Tang Dynasty poetry. The emergence of a ”Tang style” naming conventions in Taiwan Fu during the Qing Dynasty was closely related to the inclusion of ”Tang Regulated Poetry” in the Imperial Exam in the 22nd year of the Qianlong Period. A trend began to form among scholars during this period; they studied Fu through reciting Tang poetry and practiced the composition of Fu by elaborating from the titles of the Fu and poetry of the Tang Dynasty, which were characterized by restricted rhyme schemes. This dissertation raises the discussion subjects in conclusion that the trend of ”imitating Tang poetry” in Taiwan Fu of composed during the Qing Dynasty can be a significant reference in the study of Taiwan's classical poetry and such trend also forms a significant part in the ”cultural memory” of the Qing Dynasty. ”Cultural memory” may be a path worth exploring in an attempt to understand the lacking of ”geographic theories” or ”anti-colonialism subjects” in Taiwan Fu composed for the Imperial Exam.”

並列關鍵字

Fu of Taiwan ； Collection of Fu of Taiwan ； intertextuality ； Tang poetry

參考文獻

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