關於〈書黃子思詩集後〉的幾個問題

研治宋代文藝思想，蘇軾〈書黃子思詩集後〉是一篇不可忽視的文獻，因其所闡發的總體的思想方法及具體的理論觀點都具有劃時代的影響。本文基於自己的讀書心得，擬對該文涉及的幾個重要問題作出新的解釋：一、通過梳理《祭黃幾道文》等有關文獻，大致釐定黃氏父子與蘇軾交往的重要時期。二、立足於宋代文人習慣於將文學史與藝術史相互融通的觀念方式，著眼於書論史上有關「古今之變」的爭論，討論東坡書論發展的幾個階段及其對六朝和唐代書論的繼承和革新。三、〈書黃子思詩集後〉集中表達了蘇軾對陶淵明、韋應物直至司空圖等人詩風的一體化看法，這一看法對於古代詩歌史上所謂「清遠」詩派的發展產生了重要影響，但東坡這一看法的內涵也需要進行文本細讀，並做出具體分析。

關鍵字

黃子思；交游；古今之變；司空圖

並列摘要

Postscript to ”The Poetry Collection of Huang Zisi” by Su Shi is one of the most important literatures in the academic research of literary and artistic ideas of the Song Dynasty. Its overall method of thinking and concrete theoretical viewpoints have epoch-making significance. Based on the personal understanding, this paper proposes different explanations for the important issues discussed in this article: firstly, by reading through relating literatures such as ”The Funeral Oration for Huang Jidao”, the important periods during which Su Shi associated with the father and the son of the Huang family are approximately ascertained; secondly, based on the fact that literati of the Song Dynasty conventionally mixed the history of literature with the history of art, stages of the development of Su Shi's calligraphy theory as well as its inheritance and innovation are discussed with a view to the dispute about ”Changes through Gu and Jin” in the history of calligraphy theory; thirdly, Postscript to The Poetry Collection of Huang Zisi expresses Su's integrative attitudes towards the style of Tao Yuanming, Wei Yingwu and Sikong Tu's poems, which imposes significant influence upon the development of the so-called Qingyuan Style in the history of ancient poetry. However, the connotation of Su's ideas requires intensive reading and detailed text analysis.