唐代碑刻文化鼎盛,同時也是中國園林發展史上重要轉折階段,由貴族莊園逐漸發展出文人園林的主流型態。在發展過程中,園亭相關書寫結合立碑刻石的行動,以具體的物質形式出現於大地之上,成為被注目的對象,也引動視覺景觀的變化與意義詮釋。本文嘗試聚焦於此類詩文碑刻如何經由書寫與詮釋,參與地方經驗的形塑。選取三則具代表性的事例,分別論述其中涉及的三個面向問題。首先以王仲舒的燕喜亭為例,觀察韓愈撰述的記文文本如何與碑刻結合,詮釋造亭者與地方的性質,進而成為意義中心。韓愈的書寫經驗與王仲舒的開闢經驗一同進入燕喜亭,引動後人對燕喜亭乃至連州的記憶。其次,以元結的浯溪為例,觀察元結如何選擇浯溪水石營造小園,書銘刻石。進而聚集佈列多元性質的刻石,以崖石上的文字詮釋自我與時代,並開放向未來的讀者,終而塑造摩崖石刻的地景,建構出後人多方應和的互文世界。再次,以樊宗師的絳守居園池為例,觀察樊宗師來守絳州,在官署園池上撰記、立碑、作注,進行地方歷史和景觀的書寫,而他的獨特文體與書寫方式,創造了絳守居園池的能見度,成為絳州一道令人注目的文本景觀,召喚後人來作詮釋。
Inscriptions flourished during the Tang Dynasty and also represented an important turning point in the history of Chinese garden development. From the nobility estate, there gradually developed the main form of a literati garden. In the process of development, stele inscriptions in garden appear in material form and become a target of people attention. At the same time, Those Inscriptions serve also to form landscape changes and meaningful topics for interpretation. This article attempts to focus on how such inscriptions are written and interpreted that also participate in the shaping the local living experience. From three representative cases, the article will discuss three sets of interpretive issues. First, using Wang Zhong-shu's Yan-xi pavilion as an example, Han Yu's "Yanxi tingchi (An Account of Yanxi Pavilion" interpreted the nature of Pavilions in specific places and estimate their central meaning. It is believed that Han Yu's writing and Wang Zhong-shu's building created the memory of future generations about Yan Xiting and even Lianzhou. Next, we look at Yuan Jie's example about Wu Creek, observing how the scenery had been discovered, named, wrote and engraved in stone, to shape the landscape of the cliff stone. In particular, the stele of "Datang Zhongxing Song (Appraisal for Tang's Prosperity) " had also led to the continuous dialogue of future generations. These works form a world of intertextuality with multiple voices intertwined. Finally, using Fan Zongshi's "Jiangshouju Yuanchi (Garden of Governor residence)" as an example, the article discusses Fan Zong-shi's association with the garden in essay, monument and article style. Utilizing local history and landscape, Fan Zongshi's article style created visibility to accentuate the garden and became a compelling topic of discussion for the area's descendants.