《花間集》之熏香敘寫

The Description of Incense-burning in ＂Hua Jian Ji＂

陳慷玲(Chen, Kang-Ling)

《淡江中文學報》 39期 (2018/12) Pp. 33-68

https://doi.org/10.6187/tkujcl.201812_(39).0002

摘要

《花間集》由後蜀趙崇祚所編纂，收錄了18家500闋之詞作，是中國第一部文人歌詞之總集，在詞學發展上具有關鍵性的影響力。《花間集》本是為了歌筵酒宴而編的歌本，內容不脫男女情愛，但是編纂者為了與南朝宮體詩的直露表現有所區隔，故發展出婉約的表達方式。而這種婉約的形式，又與《花間集》中出現大量的熏香敘寫有密切的關係。故本文擬從熏香的角度，探討此種現象的生成及其所隱含之意義。論文主要分成三部分：其一，現象面的描述，從篩選出來的熏香詞作中，勾勒《花間集》中之熏香敘寫。其二，就作品的效果來看豔情與熏香嗅覺的關係。香味嗅覺對於人的生理心理皆有極大影響力，透過熏香敘寫得以婉轉的呈現出男女情愛。其三，從文學史的角度來看《花間集》的熏香意義。歐陽炯〈花間集序〉曾提到此集與南朝宮體詩有別，故這部分將透過熏香的表現來討論此二者之不同。透過上述的詮釋，說明《花間集》中的熏香敘寫，並非只是當時上流社會的生活習慣，更是構成詞體婉約形式的重要因素之一。

關鍵字

後蜀 ； 《花間集》 ； 熏香 ； 南朝宮體詩 ； 婉約

並列摘要

＂Hua Jian Ji＂, the Anthology of Poems Written among the Flowers, was compiled by Chao Chung-Tzuo of Later Shu including five hundred lyrics for banquets by eighteen ci writers. This is the first lyric anthology of literati ci and therefore its influence on later development of ci is crucial. Originally, ＂Hua Jian Ji＂ was meant for singing in the banquets and its subjects were mostly about romantic love. Yet, the compiler deliberately chose lyrics written in the delicate restraint style for this anthology to differentiate it from the palace style of Southern Dynasties poetry, which was undisguised and palpable. This delicate restraint style is closely related to the large amount of description of incense-burning. This article intends to explore the formation of these descriptions and its implicit formal meanings. There are three parts introduced as follows: first, through the selected ci from ＂Hua Jian Ji＂, how and what is described about incense-burning is outlined. Second, the relation between the erotic love and the description of incense-burning is discussed. The smell of scent has a strong impact on the physical and psychological states of human. Through the description of incense-burning, ci writers were able to implicitly present the erotic love. Third, from the historical aspect of literature development, the meanings of incense-burning are inferred. Ouyang Jiong mentioned in his ＂Preface to Hwa Jian Ji＂ that this collection was different from the Palace Style poetry, gongti shi. In this article, I will focus on the presentation of incense-burning to discuss the difference between the two. To sum up, the description of incense-burning in ＂Hua Jian Ji＂ is not just the life style of the upper class, but also a crucial factor for the formation of the delicate restraint style of ci.

並列關鍵字

Later Shu ； ＂Hua Jian Ji＂ ； Incense-Burning ； Palace Style Poetry (Gongti Shi) of Southern Dynasties ； Delicate Restraint Style

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