「逸樂」詩學下的詩史書寫－論柏樺《史記：晚清至民國》、《史記：1950-1976》

History-poetry Narrative in the Perspective of ＂Dissolute Pleasure＂ Aesthetics: A discussion on Bai Hua's poetry collections: Shiji: from late Qing to the ROC and Shiji: 1950-1976

王治田(Wang, Zhi-tian)

《臺北大學中文學報》 28期 (2020/09) Pp. 553-584

摘要

柏樺的兩部「史記」（《史記：晚清至民國》和《史記：1950-1976》）是兩部用詩體書寫歷史的傑作。它們通過一種歷史碎片的剪裁與拼接，正文與注釋相互參照的方式，完成了詩人對中國近現代史的想像與重構。其中既有T.S.艾略特「非個人化書寫」及羅蘭．巴特「零度寫作」的影子，更是對中國「詩史」傳統的繼承與發揚，毋寧說是一種「新詩史」。此外，「逸樂」的思想是貫穿在柏樺的歷史書寫中的精神所在，它包含了相反相成的兩極：一極是極端的「趣味主義」，既是對《枕草子》所代表的日本文學傳統的繼承，又糅合了象徵主義詩學；另一極是一種「戀物」的精緻與閒適，在起居日常的細節中蘊含的神聖與莊嚴。這種「逸樂」的精神，既是柏樺觀照近代中國歷史的主要視角，也是柏樺所理解的傳統詩性中國的主要底色。從某種程度上，兩部「史記」正是對在「現代性」入侵下，傳統中國的所呈現出的種種複雜樣態的呈現。在對中國近現代史的「風俗志」式的白描中，透露出了柏樺對歷史潮流沖刷下時間易逝的對抗和感傷及對個體生命價值的關切與關懷，以及對歷史發展的悖論性思考。

關鍵字

柏樺 ； 《史記：晚清至民國》 ； 《史記：1950-1976》 ； 「新詩史」 ； 逸樂

並列摘要

Bai Hua's two poetry collections (Shiji:from late Qing to the ROC and Shiji: 1950-1976) are both tour de force that narrate the history in the style of poem. The poet accomplishes his imagination and reconstruction of the history of modern China by intercepting and collaging the fragments between the main body and annotations. This composing methodology is not only influenced by the modern theory of depersonalisation by T.S.Eliot and Le degré zéro by Roland Barthes, but also an inheritance and development of the ＂Poetry-history＂ tradition in Chinese classical poetics, and can hence be defined as a kind of ＂New Poetry-history＂. Moreover, the spirit of ＂dissolute pleasure＂ is deeply embedded in Bai Hua's historical narrative, which consists of the two opposite while complementary poles: one is a kind of extreme ＂interestness＂, a combination of the Japanese literatures tradition deprived from Makura no Sōshi by Sei Shōnagon (966-1025) and Symbolic poetics; the other is fetishistic exquisiteness and leisureness, a solemn attitude in the details of daily life. This spirit is the main scope through which Bai Hua reflect on the modern Chinese history, and also the dominant color of tradition poetic China as he considers. To this extent, these two collections manifest the multi-aspect condition regarding how the tradition China reacted to the intruding of modernity. In the ethnographical depict of Chinese modern history, Bai Hua shows his lament and resist against the elapse of time and his concern and reflection on the paradox historical progress.

並列關鍵字

Bai Hua ； Shiji: from late Qing to the ROC ； Shiji: 1950-1976 ； ＂New Poetry-history＂ ； dissolut pleasure

參考文獻

司馬遷：《史記》，北京：中華書局，1959 年。

章學誠著，葉瑛校注：《文史通義校注》。北京：中華書局，1985 年。

大久保初雄：《古語拾遺講義》，明治文陽堂藏本， 1893 年。

T. S. 艾略特著，李賦寧譯：《艾略特文學論文集》，南昌：百花洲文藝出版社，1994 年。

艾布拉姆斯著，吳松江等譯：《文學術語詞典》，北京：北京大學出版社，2009 年。