《紅樓夢》的寫作意圖－從解構閱讀的現象來論

The Writing Intentions of Dream of the Red Chamber-discussed by Deconstructive Reading Theories

丁吉茂(Jí-Mào Ding)

《明道通識論叢》 5期 (2008/11) Pp. 73-96

https://doi.org/10.6954/MJGE.200811.0073

摘要

本文嘗試以解構閱讀理論，析探《紅樓夢》作者的寫作意圖。在研究上利用雙重閱讀技巧促使文本結構崩解，以此引出《紅樓夢》作者自身的解構立場，藉以闡述書中隱含的「解構」意圖。《紅樓夢》的作者將「文本自身解構的特性」設計在作品之中，促使讀者於閱讀中自然進行文本解構。「脂硯齋批語」係作者連結「眞實」與「虛幻」兩個世界的「軌跡」，此安排促使《紅樓夢》的文本結構不斷崩解、散播，從而延伸出無止盡的閱讀與診釋。

關鍵字

解構閱讀 ； 紅樓夢 ； 脂硯齋

並列摘要

Within the theories of Deconstructive reading, this essay is to focus on the writing intention of Dream of the Red Chamber. To introduce the deconstructive perspective of Dream of the Red Chamber, the ”double reading skills” are adopted to collapse the texture. The author embedded the prosperity, which is ”texture deconstructs itself” in the novel. And that will simulates the readers deconstruct the texture naturally. Designed by the author, the remarks on Dream of the Red Chamber of Zhi Yanzhai is the trace connected two worlds between truth and illusion. This arrangement enhances the deconstructions in the texture, and further, extends the endless readings and interpretations.

並列關鍵字

Deconstructive Reading ； Dream of the Red Chamber ； Zhi Yanzhai