光旅．影驛－塗鴉藝術之完形心理研究

Using Gestalt Psychology to Understand the Practice of Street Graffiti

劉晉彰(Ching-Chang Liu)

《設計研究學報》 7期 (2014/07) Pp. 81-96

摘要

近年來，在科技數位化的環境趨勢下，影像設計創作的展演具有更多元性的表現方式。青少年藉由街頭塗鴉、光影塗鴉將個人創意表現於環境上，也讓國內外藝術創作者多了一種表現自我的意識型態有著展現的空間。從影像的觀點分析空間的創作、創新塗鴉的數量、挑戰高度的影像重組、光影的特色和文本詮釋意義，都在探究創新藝術的本質與價值，此視覺現象有逐漸增加的趨勢。愈來愈多的研究開始深入分析塗鴉藝術的存在意義以及塗鴉藝術與其創作者的價值連結，甚至是創作題材與空間場域的感知如何使觀賞者產生直接的共鳴。本研究旨在藉由探索影像設計的美學展現，運用「完形心理學（Gestalt Psychology）」的原理深入解析「完形塗鴉」藝術環境心理存在的價值性，並透過文本分析法做為立論基礎，再配合相關文獻佐證共同剖析數位影像設計創作之呈現，將其分析歸納探討創新藝術完形塗鴉之再現。

關鍵字

完形塗鴉 ； 數位影像 ； 完形心理學

並列摘要

In recent years, the environmental trends of science and technology of digitization, the image creation of the performances have more diversity of expression. Young people by graffiti, light painting personal creative performance on the environment, but also to domestic and foreign artists more than a manifestation of self-ideology has space to show. The creation of space from the viewpoint of image analysis, the number of graffiti innovation, challenge the high degree of image reconstruction, the characteristics of light and shadow, and text interpretation of the meaning, explore the essence of art and value of innovation, this visual phenomenon of a growing trend. The growing number of studies indepth analysis of graffiti art and the meaning of existence and value of graffiti art and its creators link, or even the perception of the creative theme and space field how to make the viewer a direct resonance. This study aims to show by exploring the image design aesthetic, the use of the principle of Gestalt psychology (Gestalt Psychology) ＂insight＂ End value of shaped graffiti art environmental psychology, and through text analysis as a theoretical basis, together with the relevant literature in support of the common analysis of the digital image creation, presentation, and summarized its analysis to explore innovative artistic Gestalt reproduction of the graffiti.

並列關鍵字

Gestalt graffiti ； digital image ； Gestalt psychology

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