論夏曼．藍波安與廖鴻基海洋書寫的差異

The Differences in the Ocean Writing by Syaman Rapongan and Liao Hung-Chi

王國安(Guo-An Wang)

《人文社會科學研究》 6卷4期 (2012/12) Pp. 26-45

https://doi.org/10.6284/NPUSTHSSR.2012.6(4)2

摘要

本論文主要研究夏曼．藍波安與廖鴻基海洋書寫的相異之處。首先，就兩人書寫捕魚與航海經驗的部分來說，夏曼的潛水射魚與廖鴻基的乘船捕魚，使兩人的書寫有著海平面下、上視角的不同，也展現了不同的海洋視野；兩人的海洋書寫都同時有著「生態保育」的觀念，但廖鴻基的「生態保育」是來自於對「現代性」的反省，夏曼卻傾向於以達悟族的傳統文化來挑戰漢人的「生態保育」；對於「信仰」的描述，夏曼常書寫海洋、善靈、惡靈的信仰，來表現其對達悟文化的理解與回歸，而廖鴻基關於討海人信仰的描寫，則讓我們看到討海人為成其利避其害而想像出的神秘力量；在海洋書寫題材的拓展上，夏曼傾向於縱向承繼，描寫達悟老海人，表達達悟傳統文化的傳承及悠遠，廖鴻基則傾向於呈現討海人的眾生相，讓我們看到互信互依的甲板王國所發生的各類故事，是一種橫向的擴延；最後，在兩人的書寫語言上，廖鴻基的語言有著文體跳躍的風格，自由出入於散文、小說與詩之間，夏曼則以融合達悟思維與漢語的方式進行書寫，兩人在語言使用上各有特色。

關鍵字

夏曼．藍波安 ； 廖鴻基 ； 海洋文學

並列摘要

This study aims to explore the differences in the ocean writing between writers Syaman Rapongan and Liao Hung-Chi. First, in terms of the depiction of the fishing and seafaring experience of both writers, Syaman's shooting fish while diving and Liao's fishing by boat show the different perspectives in examining the ocean, i.e., the views above and underneath the sea level. The concept of ecosystem conservation can be found in the ocean writing of both; however, Liao discusses this issue based on the reflection on ”modernity”, whereas Syaman focuses on the Tao people's traditional culture in order to pose a challenge to Han people's ”ecosystem conservation.” For the depiction of ”religious faith,” Syaman often writes about the faith in the ocean, good spirits, and evil spirits to express his understanding, and his desire to find the root of Tao culture, while Liao's depiction of the faith upheld by fishermen reveals the imagined mystical, supernatural power that can ensure blessings and prevent misfortunes. For the thematic expansion of ocean writing, Syaman tends to adopt the idea of inheritance, a longitudinal expansion, by portraying old Tao fishermen to show the inheritance and long history of Tao culture, while Liao tends to present the wide spectrum of the fishermen's life, ushering readers into all kinds of stories on the fishermen's brotherhood against the backdrop of the sea and the deck, which is a horizontal expansion. Finally, for the language used in writing, Liao shuffles between different genres of prose, novel and poetry, while Syaman's writing integrates Tao's thoughts and Chinese language, exhibiting a writing feature different from Liao's.

並列關鍵字

Syaman Rapongan ； Liao Hung-Chi ； Ocean Writing

參考文獻

王國安(2012)。殊途同歸：試論夏曼藍波安與廖鴻基海洋書寫的異同。人文社會科學研究。6(2)，120-139。

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