蘇舜欽詩藝術特色掇要

北宋初年，詩風流於綺靡、雕琢，除錢、楊爲首之西崑體外，餘如「白體」、「晚唐體」諸流風多不能脫此習氣。厥後，至仁宗朝，則有梅堯臣、歐陽脩、石曼卿、尹洙與蘇舜欽等人，奮然振起，以達意古樸相倡，見重於時人。而蘇獨以廢放早卒，後人多未及深入瞭解其人、其詩，竊爲之惋惜。晚近檢其詩集，考察生平，并深入咀嚼其詩作。因討論其主流風格與寫作手法，見其早年詩風奔放豪健，廢放之後憤懣慷慨，晚期或間有幽獨閒放之致。又察其寫作手法則以賦體爲多，鮮用比興增華，實傷之直露。尤可注目者，其詩已啓宋詩說理之風。經此釐析，其作品面貌遂益明晰，或將可作爲研究宋初文學者之參考。

關鍵字

西崑體；廢放；豪健；比興

並列摘要

At the early period of Bei-Song, the style of poems came to lewd or petty cut. Not only included the leaders of Xikun poet-party wrote in this style, but also the others like the Bai style and the Late-tang style expressed the same trend. After that, by the time of Renzong dynasty, people like Yao-Chen Mei, Xiu O-Yang, Man-Qing Shi, Zhu Yin, Shun-Qin Su etc., all of them wanted to reform the bed style, and wanted lead to classical style or simple style. Then they got some achievement, which were respected by the people. But Shun-Qin Su was banished by government and dead in early year. People could not understand him and his poems, which made me felt something pitying.Recently, I collected the poems of Su, study the career of his life and his fiction. Then discussed Su's main writing style and writing skill, found that in the early period his writing style expressed to generous and unrestrained, and when banished period expressed indignant and melancholy. In the last few years, his expressing was something leisure. In the other hand, to discuss his writing skill, we could find that he like wrote by strait describing, didn't like wrote by metaphor, so made us felt that his fiction appeared too expositive. Especially, we should attention that Su's poems gave rise to the tendency of philosophical-style. Analyzing by this way, we could realize the whole feature of Su's poems, which will give a portion of guide to the scholars.

並列關鍵字

Xikun-style ； banish ； generous and unrestrained ； metaphor

國際替代計量

蘇舜欽詩藝術特色掇要

全文下載

主題瀏覽