戲曲中蘇軾形象的再現與建構：兼論臺灣當代戲曲創作

Representation and Reconstruction of Su Shi in Chinese Opera

林和君(Lin, Ho-Chun)

《嘉大中文學報》 14期 (2021/03) Pp. 157-182

摘要

宋代蘇軾為中國文學史上的著名士人，在文學表現和為人處事也展現豪放、曠達、疏狂與灑脫等人格特質，成為後世文學創作與文人心目中的一種典範形象。本文取元明清三代古典戲曲創作為範疇，以蘇軾為主角、或以蘇軾為劇中人物之一的相關劇作，包含今存全本雜劇9種、已見全本傳奇6種與當代戲曲創作2種，論述戲曲文本如何取用蘇軾生平史實、軼聞傳說的敘述，透過再現蘇軾的一生經歷，與藉由軼聞而建構宋代蘇軾的文人形象；並且比較當代戲曲創作的特色，探討蘇軾在戲曲創作中的形象塑造及其意義。

關鍵字

蘇軾 ； 宋代 ； 戲曲 ； 雜劇 ； 傳奇

並列摘要

Su Shi was a prominent Song literatus in the history of Chinese Literature. The bold, heroic, unbridled, and broadminded quality of his literary expression, as well as his personality, has become a model and inspired numerous writers of the later generations. This essay centers on the texts of Chinese opera which take Su Shi as the main character from the Yuan, Ming, and Qing dynasties, including nine texts of Variety Plays (Zaju), six texts of Dramatic Romances (Chuanqi), and two works of contemporary Chinese opera, and discusses how these texts represent and reconstruct the image of Su Shi as a literatus by adapting Su's biography and anecdotes into their narratives. Furthermore, it analyzes the characteristic of contemporary Chinese opera, and explores the characterization and significance of Su Shi in Chinese opera.

並列關鍵字

Su Shi ； Song dynasty ； Chinese Opera ； Variety Plays (Zaju) ； Dramatic Romances (Chuanqi)