《唐詩歸》與《唐詩鏡》之杜甫詩選評比較

To compare the selections of Dufu's poems in Tang Shi Gui and Tang Shi Jing

鄭至芯(Cheng, Chih-hsin)

《東吳中文線上學術論文》 37期 (2017/03) Pp. 63-84

摘要

晚明由鍾惺、譚元春為領導的竟陵詩派，是當時最有影響力之詩派，所選評的《唐詩歸》一出，海內風靡，盛行於世，造成「承學之士，家置一編，奉之如丘尼之刪定」之盛況。而陸時雍繼之而起，另編《唐詩鏡》，其論詩大抵以神韻為宗，情意為主，欲矯正明代選本選詩、論詩「徒務形、貌」、「未得詩旨」之弊。《唐詩歸》與《唐詩鏡》皆是晚明時期著名的唐詩選本，兩家所選皆以盛唐詩為尊；書中選錄的杜甫詩數量，也都高居唐代詩家首位。本文欲透過兩家之選詩要旨的不同，來探討二部選本對杜甫詩詩體、詩題以及相關評論的差異。

關鍵字

唐詩歸 ； 唐詩鏡 ； 杜甫 ； 杜詩選評

並列摘要

Zhong Xing and Tan Yuan Chun for the leadership of the Jingling School of Poetry in the late Ming Dynasty that was the most influential of the Poets. Thay compiled Tang Shi Gui made asensation in the late Ming Dynasty that every intellectual had one. Lu Shi Yong inherited and transcended Jingling School of Poetry also compiled Tang Shi Jing to correct some prejudces appearing in other Tang Poems anthology. Tang Shi Gui and Tang Shi Jing are famous Tang Poems anthologies in the late Ming Dynasty and the quantity of Dufu’s poems adopted in was the most among other poets in Tang Dynasty. For this paper, through two different options gist of the poem, to explore the differences between bipartite Anthology of Poems of Du Fu's body, poem and related comments.

並列關鍵字

Tang Shi Gui ； Tang Shi Jing ； Dufu ； the anthologies & criticism on Du Fu's Poetry