浪漫派畫家：泰納（J. M. W. Turner 1775－1851）繪畫中的崇高

A Romantic Painter: Sublime in J. M. W. Turner's Paintings

林穎襄(Yin-Hsiang Lin)

《史學研究》 19期 (2005/07) Pp. 1-54

https://doi.org/10.29438/THR.200507.0001

摘要

「崇高」，這美學史上重要的論題，是由朗吉努斯（Dionysius Longinus，213－273）於第三世紀首先提出的。1756年，愛德蒙．柏克（Edmund Burke，1729－1797）出版《論崇高與美兩種觀念的根源》《A Philosophical Enquiry Into the Origin of our Ideas of the Sublime And Beautiful》，首度提出「崇高」的概念。轉至19世紀時，歐洲浪漫主義興起，崇高美學大為盛行。英國浪漫派畫家泰納（Joseph Mallord William Turner，1775－1851）尊重「崇高」理論，因而創作出所謂「泰納式的『崇高』」（The Turnerian Sublime）的個人創造理念。儘管史家基本上同意他對「崇高」的概念與柏克十分相似；但本文的目標是分析泰納作品，以便探究「泰納式的『崇高』」（The Turnerian Sublime）；進而比較他的「崇高」美學概念觀念與柏克的異同。

關鍵字

泰納 ； 崇高 ； 泰納式的崇高 ； 柏克 ； 浪漫主義

並列摘要

”Sublimity” is one of the most subjects in the studies of aesthetic history. While Dionysius Longinus (213-273) was the first person to bring up this idea in the third century, this idea of ”Sublime” was not emphasized, until in 1756, Edmund Burke (1729-1797) published his ”A Philosophical Enquiry Into the Origin of our Ideas of the Sublime And Beautiful”. In the nineteenth century, members of the English Romanticism Movement pushed forward the idea of sublime toward a new apex. It was at this time, an English romantic painter Joseph Mallord William Turner (1775-1851) who was deeply observed with the idea of sublimity, created ”The Turnerian Sublime” as his personal remarks. Although most of the scholars agreed that his views about ”Sublimity” were basically similar to Burke's, the purpose of this article was intended to explored ”The Turnerian Sublime” by analyzing Turner's works, in order to understand it, and to find out whether there were differences between Turner and Burke.

並列關鍵字

Joseph Mallord William Turner ； Sublime ； The Turnerian Sublime ； Edmund Burke ； Romanticism