蘇軾〈登州海市〉之章法結構及藝術手法探析

Study on the Writing Organization and Aesthetics of "The Ocean Mirage at Deng-zhou" Poem by Su Shi

陳宣諭(Shiuan-Yu Chen)

《德明學報》 36卷2期 (2012/12) Pp. 39-50

https://doi.org/10.29710/JTC.201212.0003

摘要

蘇軾〈登州海市〉一詩載其至登州上任五日，得見當地著名海市蜃樓之奇景。然歷史上對此詩是否為真實性，蘇軾是否真見海市，頗多質疑。不管海市是特例偶一為之，恰巧被蘇軾親見，或虛構也好，筆者認為蘇軾是否親見海市並非重點，全文主旨並非在於觀海市，蘇軾只是藉由登州海市景象道出人生仕宦之途亦如海市，以達觀者悠遊世間之順與逆。因此本文試圖從辭章學來分析蘇軾〈登州海市〉一詩之章法結構與藝術手法，去透視其心志呈現，考究儒、釋、道各家思想對其影響。

關鍵字

蘇軾 ； 登州海市 ； 章法結構

並列摘要

In the Poem ”The Ocean Mirage at Deng-zhou” by Su Shi it was reported that he saw an ocean mirage five days later after he arrived at Deng-zhou. In the history there were a lot of open questions on the truth of this poem if Su Shi really saw the ocean mirage. Maybe Su Shi happened to see it, or he invented it. However, the author believes that seeing of the ocean mirage or not is not the key point. He just described the life and career like the ocean mirage by means of seeing the ocean mirage at Deng-zhou to express his philosophical mind to prosperity and adversity in life. In the present study the writing organization as well as the aesthetics of this poem will be analyzed in order to understand his thought. In addition it will also be investigated on the effect of Confucianism, Taoism and Buddhism on his philosophical mind.

並列關鍵字

Su Shi ； Ocean Mirage at Deng-zhou ； Writing Organization

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