- 期刊
金庸武俠小說女性俠客的情感典型
The Model of Emotions of the Female Chivalrous Experts in Jin Yong's Knight Errant Novels
摘要
「男性與陽剛」向來爲組構武俠小說的基礎要素之一，亦爲大多數讀者對武俠小說的普遍認知，因此「行俠仗義」成爲江湖中多數男性的責任，在一定程度上，亦展現了傳統時代「男主外、女主內」的常態。「女性活動空間狹隘」的公式化既定角度，極可能產生誤解女性的危機，導致兩性關係的不對等，甚至有所迷思。研究金庸武俠小說的女性，嘗試跳脫男權意識型態所塑造的從屬結構，將更爲清晰的意識到「人性的情感」，不僅限制於愛情，亦會因應生活環境而有所調整。基於此，本論文首先考察歷史文獻對女性俠客的態度，進而探究金庸武俠小說中的女俠，在各種江湖場域內，與個人和群體的生存心態結構上，所傳達的情感人格與特性，確立女性俠客在武俠小說中非「男性附庸」的地位與意義。我們是否會受到刻板性別角色分工差異的影響，與男性俠客比較亦能清楚判別。並以下列九項層面，剖析金庸武俠小說女性俠客的情感典型：一、母性情感；二、主動化的形象；三、「深宮怨婦」類型；四、仙化氣質；五、有情「妖女」；六、清新的情感；七、兩性情感的提昇；八、「眾星拱月」的情感模式；九、大我的情感；十、情感的成長與退化。
並列摘要
”Male and macho” has always been being one of the essential foundation fabrics for knight errant novels, also being the universal cognition of majority of the readers of knight errant fiction, therefore ”Bolstering the weak and the poor” becomes the masculine responsibilities of the fellows who live in the underworld, to a certain extent, which also unfolds the ancient time's traditional normal conditions as ”Men master affairs outside, women handle those inside”. ”The motion spaces for female are narrow” is a formulation with an especial that is extremely possible to produce a crisis of misunderstanding the feminine, and causes both sexes' relations are not coordinated, even existing some confusion. Studying the female in Jin Yong knight errant novels, trying to be released from the subordinate structure which was molded by the male power consciousness that will be more clearly to sense ”Humanity sentiment”, which is not only limited to love, but also will be adjusted to the living conditions. Based on this, the thesis first investigates what are the historical documents' attitudes toward swordwomen, then inquire into them of Jin Yong knight errant novels, from each kind of occasions, and the structure of the mind for being existing of individuals and communities, we receive a message of the meaning and exact status of the swordwomen in knight errant novels that they are not belongings of males, from the personalities and the characteristics with sentiments which has been transmitted, Whether we will be affected by the typical different sex roles of both sexes, when we take it to compares with swordmen that will be more obvious and easier to distinguish clearly. And with the following nine items, we can analyze the affections type of the swordwomen of Jin Yong knight errant fictions: First, maternal emotion; Second, initiative image; Third, ”Resenting woman in deep palace” type; Fourth, fairy makings; Fifth, affectional female ginie; Sixth, pure and fresh emotion; Seventh, amphoteric emotion promotion; Eighth, ”The moon with stars around” emotion pattern; Ninth, arrogant emotion; Tenth, the development and degeneration of emotions.