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國際移工/民傳播權的在地思考

Rethinking the Communication Rights of International Migrant Workers/Immigrants: A Local Perspective

摘要


全球化發展之下,國際人口的遷徙日趨頻繁多元。本文以東南亞移工與新移民為主體,透過其在臺勞動條件、媒體再現、媒體近用等面向的觀察,輔以人權、傳播權、媒體近用權與文化公民權意涵的交互辯證,檢視國內傳播政策中對於國際移工/民的思維與想像。此外,本文亦援引其他國家多元文化族群與傳播政策的基本內涵及措施,從中檢討全球化國際遷徙脈絡中,臺灣在落實多元文化主義與傳播權方面的作為,並且提出未來政策規劃上的幾點建議。

並列摘要


International migration has become increasingly prominent and diverse under the backdrop of globalization. This paper takes Southeast Asian migrant workers and new immigrants in Taiwan as the subject of inquiry. Through the observation on their work condition, media representation, and media access in Taiwan, combined with the dialectical analysis on the contemporary meanings of human rights, communication rights, right to access media, and cultural citizenship, the study aims at scrutinizing how international migrant workers/immigrants are imagined and manifested in Taiwan's communication policies. Furthermore, the study also seeks important references with the basic principles and practices from migration-related communication policies in other countries. In so doing, the study is able to closely examine the current conducts of Taiwan's communication policies with regard to multiculturalism and communication rights in an era of global migration, and put forward some suggestions for future policymaking.

參考文獻


尤希.達袞(1992)。重視少數民族的傳播權益─應合理分配傳播資源。島嶼邊緣。5,30-32。
夏曉鵑編(2009)。騷動流移:臺社移民/工讀本。臺北:臺灣社會研究雜誌社。
王菲菲(2005)。多元文化與公共廣電機構:澳大利亞的實踐經驗。中華傳播學刊。7,103-134。
王俐容(2006)。文化公民權的建構:文化政策的發展與公民權的落實。公共行政學報。20,129-159。

被引用紀錄


蔡敏秀(2017)。臺灣移工電影中的家、城市和第三空間: 以《我倆沒有明天》、《娘惹滋味》 和《臺北星期天》為例〔碩士論文,國立清華大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0016-0401201815534952

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