Symbols can be formed as a culture tradition on the one hand, but after the lasting process of social discipline can also cause the emotional response to be hardened that reduces the aesthetic value on the other hand. In order to recover the mobility of emotion, some means are adopted to expand the space between the signifier and the signified. In Chinese classical poetry, Liu-sung dynasty Xie Lingyun’s landscape poems are outstanding examples, which emphasize the sensory properties of nature, break the automatic reaction to nature. If we analyze the symbol used of “San Tai Zi” in the film “Din Tao: Leader of the Parade”, we can find the similar way to shape aesthetic perception that Xie Lingyun achieved, while it also can be used as a reference in contemporary cultural and creative industries.