- 期刊
從惡宇宙闖出一條人權之路：記2022高雄電影節美麗島人權獎評審
Opening a road from a flawed world human rights: A note of the Human Rights Award of 2022 Kaohsiung Film Festival
延伸閱讀
- Yueh, Y. S. J. (2021). 以人權為名的揭密正義？：麥克．翁達傑《安霓尤的鬼魅》裡世界主義與專業倫理. 高大人文學報, (6), 27-52. https://doi.org/10.6648/NUKJH.202106_(6).0002
- 廖俊逞（2013）。顛覆善惡二分 刻畫角色人性－明華園戲劇總團《么嘍正傳》。PAR表演藝術雜誌，(246)，74-74。https://www.airitilibrary.com/Article/Detail?DocID=10213139-201306-201306050031-201306050031-74-74
- Ying, N. J. (2020). 以共同體作為人性之綻放：喬治・歐威爾《巴黎倫敦落魄記》與蔡明亮《郊遊》之比較 [master's thesis, National Taiwan Normal University]. Airiti Library. https://doi.org/10.6345/NTNU202001513
- 何孟倫（2019）。Still on the Road: Unfinished Institutionalization of Road Movie Genre in Contemporary Taiwan Cinema〔碩士論文，國立臺灣師範大學〕。華藝線上圖書館。https://doi.org/10.6345/NTNU201900284
- 蘇偉貞（2014）。＂On the Road:＂ From Zhao Zi-Fan's novel Struggle of Humanism to Film Adaption。成大中文學報，(45)，373-404。https://www.airitilibrary.com/Article/Detail?DocID=P20170720001-201406-201708020022-201708020022-373-404