筆尖交響：左翼．鄉土．現代哲思－論郭松棻小說的多重書寫

The Multiple Writing of Guo Songfen's Novels

唐銘康(Tang, Ming-Kang)

《華文文學與文化》 9期 (2020/04) Pp. 1-13

摘要

郭松棻的小說創作為數不多，但卻篇篇意蘊複雜，形成了左翼傾向、鄉土意識和現代主義哲思三者相雜糅的書寫形態。郭氏小說中「激進」的左翼傾向以一種「不介入」的姿態潛藏于文本的肌理之中，隱秘書寫自身青年時期政治烏托邦的建構與失落。同時其小說中的鄉土意識亦不可忽視，打破了國族與身份認同的圈囿，有著純粹的鄉土性質。而現代主義式的生命苦悶外化為現代主義的寫作手法，以詩化的語言、隱喻的方式和「歷史新編」的新模式書寫著人世倫理的悲辛。豐富而雜糅的多重書寫，使得郭松棻成為80年代初臺灣文壇中不可多得的「難以被定位的作家」，為打破當時臺灣文壇「鄉土／現代」的二分局面做出了不可忽視的貢獻。

關鍵字

郭松棻 ； 左翼 ； 鄉土 ； 現代主義

並列摘要

Guo Songfen's novels are few, but the contents of his texts are complex, which forms the multiple writing including the left wing criticizing, the native consciousness and the modernist philosophy. In Guo's novels, the ＂radical＂ left-wing criticizing is hidden in the texture with a kind of ＂no intervention＂ to write the construction and loss of political utopias in his own youth. At the same time, the native consciousness and the trauma of the hometown of his novels can not be ignored. His rural writing has broken the dilemma of national identity, so it is a ＂pure rural writing＂. And the modernist thinking always exists in his novels, and the externalization is modernist writing technique. He writes the tragedy of human ethics with the poetic language, metaphor and a new pattern called ＂the new history＂. The rich and hybridity of multiple writing made Guo Songfen a rare writer who is hard to locate in the literary world of Taiwan in the early 80s, and made an unnegligible contribution to break the ＂native / modern＂ situation in the literary world of Taiwan at that time.

並列關鍵字

Guo Songfen ； the left wing ； rural writing ； modernism

參考文獻

郭松棻，〈「五四」運動的意義〉，《春雷聲聲―保釣運動三十周年文獻選輯》（臺北：人間出版社），頁314-317。

王德威，〈冷酷異境裡的火種〉，《奔跑的母親》（台北：麥田出版社，2002），頁4。

黃錦樹，〈內在的風景―從現代主義到內向世代〉，《華文文學》2015 年第1 期，頁7。

郭松棻，〈論寫作〉，《郭松棻集》（台北：前衛出版社，1993），頁436。

陳映真，〈回顧鄉土文學論戰〉，《文藝理論與批評》1994 年第2 期，頁79。