朱熹「淫詩說」衡論

The Study of Zhu Xi's Lascivious Poetry Theory

黃忠慎(Chung-Shen Huang)

《靜宜中文學報》 6期 (2014/12) Pp. 1-28

摘要

在《詩經》學史上，朱熹的表現有資格被稱之為典範，學術史上所謂的典範絕不代表當事人的學術表現已經盡善盡美，正相反，典範學者的的成就雖屬空前，影響力特大，但其著作中其實留有許多問題能讓有志一同的後起者來共同解決。朱熹的《詩經》學對於傳統論說有很多的突破，謂其為《詩經》宋學中的代表人物，可謂名副其實。本文以朱熹最具爭議的「淫詩說」為探述對象，從淫詩的界定、篇數到有關「鄭聲淫」的異同解讀，以及「淫詩說」的作用與影響等，皆納入觀察範圍。透過本文的研究，可以讓我們對於朱熹的「淫詩說」有較為全面的理解，當然，相關議題仍然值得繼續探索，尤其是價值論方面。

關鍵字

朱熹 ； 詩經 ； 淫詩說 ； 鄭聲淫 ； 典範

並列摘要

In the academic history of ShiJing, Zhu xi was qualified as a model because of hisperformance. However, a model in the academic history didn't mean that his performance in academy had reached perfection. In spite of the unprecedented accomplishments and the gigantic influences they had acquired, there were still a lot of controversial issues left to be discussed together by their successors with the same interests. Zhu Xi's Shijing Study brought numerous breakthrough to the traditional commentary. It's veritable to dub him as the representative of Song-ology. This research explored Zhu Xi's ＂bohemia poem theory＂ by studying the definition of the bohemia poems, the numbers of the chapters, the interpretation of the similarities and dissimilarities with ＂Unrestrained Music of Zheng＂ and its influences and function. Although relative issues, especially the axiology, are still worthy of our continuous exploration, this research enable us to comprehend ＂bohemia poem theory＂ in a fuller scale of view.

並列關鍵字

Zhu Xi ； Shi Ji Chuan ； Lascivious Poetry Theory ； ＂Zheng Songs are Obscene＂ ； paradigm

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