敦煌曲中的女子形象

The Female Image of Dunhuang songs

簡彥姈

《人文社會與醫療學刊》 4期 (2017/05) Pp. 179-196

https://doi.org/10.6279/JHSSM.2017.4(1).09

摘要

清光緒二十五年(1899)從敦煌莫高窟出土的曲子詞，是唐人民間流行歌曲的歌詞，也是後世研究唐代庶民生活的第一手材料。本文旨在探討敦煌曲中的女子形象，大致來說，可分為兩類：一、歌頌佳人德貌：即謳歌女子美貌、頌揚其堅貞之德行二大主題。二、同情女子痴怨：表現在女子對愛情、婚姻的痴心無悔，與抒發其情感落空的滿懷幽怨。由此可見，唐代社會在男尊女卑的氛圍下，總以男性觀點為出發，歌頌佳人品德與美貌，而忽略了女性的獨立個性、自主人格。何況男人風流、負心，時有所聞，女子痴情、幽怨，在所難免。因此，抒發女子痴怨的歌詞一遍遍被傳唱著，唱出人們對痴心怨女的同情，也唱出唐人女性自覺的低迷。

關鍵字

唐代 ； 敦煌 ； 曲子詞 ； 女子形象 ； 男尊女卑

並列摘要

Guangxu 25 years (1899) in the Qing Dynasty, we have discovered some Tang Dynasty folk song lyrics in the Dunhuang Mogao Grottoes. These are the Tang Dynasty popular song lyrics, also are our firsthand information of studying people in the Tang Dynasty. This article discusses about the female image of Dunhuang songs. The essential points of the paper will be presented as follows: 1. To praise woman's character and appearance. They praise woman's beauty and the virtues of their faithful. 2. To describe the women's infatuation and sad. When the women fall out of love, they express their heart full of resentment. The women express for love or marriage silly regrets. People always sympathize with the weak. Therefore, the Tang Dynasty folk song lyrics full of plaintive to express the women mood. Thus, the Tang Dynasty is a patriarchal society. They always male perspective as the starting female consciousness generally low. They pay attention to the woman's appearance and character, while ignoring the female independent personality, independent personality.

並列關鍵字

The Tang Dynasty ； Dunhuang ； Dunhuang songs ； The Female Image ； A patriarchal society