探尋實驗戲曲「今之視昔」的多重面向－以《小船幻想詩－為蒙娜麗莎而做》的創作元素為討論對象

黃兆欣

《跨界對談五 表演藝術研究所學術研討會論文集》 第五屆 (2008/06) Pp. 64-80

https://doi.org/10.29517/KJDT5.200806.0064

摘要

實驗戲曲是臺灣近三年來正興起的創作形式，在這波實驗創作風潮中，1/2Q劇場結合傳統崑劇、裝置藝術及前衛導演的手法，使得該團之創作屢是得獎常客。而王安祈教授則於2007年戲曲國際學術研討會上，以該團之《小船幻想詩－爲蒙娜麗莎而做》爲例，提出實驗戲曲「今之視昔」的論點，意指實驗戲曲貴在立基於傳統戲曲的表演形式上，透過各種手法能與當代產生對話。此外，該作品亦標榜以跨領域拼貼的手法，呈現了實驗戲曲的當代觀點。
然而在這波創作熱潮的相關論述中，由於諸多理論未被辨清，使得在前衛的外表下，有許多流於詞語堆疊模糊地帶。本文即從「今之視昔」的論述基礎出發，並結合跨領域拼貼的理論視角，試圖深度頗析《小船幻想、詩－爲蒙娜麗莎而做》之創作元素，釐析該作品在實驗手法的衝撞後產生的效果，爲「今之視昔」提出多角度的詮釋。

關鍵字

實驗戲曲 ； 今之視昔 ； 拼貼 ； 跨領域

並列摘要

Xiqu of Avant-garde Theatre is the creation form that Taiwan has been rising in the past three years, especially 1/2Q theater combines the traditional Kunqu, Installation art and fashionable director of the manner, and always receives many awards. Professor Wang An-chi at 2007 International opera forum indicated that 'Modern Sight for Ancient' by Poem of Little Boat’s Fantasy of l/2Q. It means Xiqu of Avant-garde Theatre is set up form of performance based on tradition, through various kinds of tactics, so that it make Xiqu to posse contemporary. In addition, this works also advertise for itself that the Collage and Interdisciplinarity take on the contemporary.
Because theses of theory have not been distinguished clearly, it makes many researches of works have many fuzzy areas. This research set out from argumentation foundation on 'Modern Sight for Ancient', combine the theory of Collage and Interdisciplinarity, attempt to analyze the creation element of ”Poem of Little Boat's Fantasy: A Play For Mona Lisa” in depth, and supplement 'Modem Sight for Ancient' with multiple viewpoint.

並列關鍵字

Xiqu of Avant-garde Theatre ； Modern Sight for Ancient ； Collage ； Interdisciplinarity