音樂創作的心理學：自我、執行控制、創意產生

The Psychology of Musical Creativity: The Self, Executive Control, and Generation of Creative Ideas

蔡振家(TSAI, Chen-Gia)

《關渡音樂學刊》 27期 (2018/02) Pp. 33-52

摘要

近年來，音樂心理學的進展有目共睹，拜腦造影技術之賜，許多研究皆在音樂創造力的議題上提供了寶貴的新觀點。本文結合美學與認知神經科學，探討作曲與即興所涉及的心理歷程。本文指出，腦中的預設模式網路、執行控制網路、額下回，分別主導著音樂創造力的三個面向：自我、執行控制、創意產生。其中，跟情感自我、社會自我密切相關的中央前額葉，對於音樂創作的主體性十分重要，而即興經驗越豐富者，執行控制網路的運作越精簡、越有效率。筆者認為，在人工智慧時代中，音樂創作的本質與核心價值益顯凸出，值得音樂教育者深思。

關鍵字

作曲 ； 即興 ； 自我 ； 執行控制 ； 創意產生

並列摘要

In recent years, we have witnessed remarkable progress in the field of music psychology. Thanks to neuroimaging technology, a number of investigations have provided valuable insight into the neural mechanisms underlying musical creativity. Combining aesthetics and cognitive neuroscience, the present article aimed at analyzing the mental processes related to the acts of composition and improvisation. It was proposed that the default mode network, executive control network, and bilateral inferior frontal gyri may support the self, executive control, and generation of creative new ideas, respectively. In particular, the medial prefrontal cortex implicated in the affective self and social self plays a key role in the subjectivity of musical creativity. Previous studies showed that rich experiences in improvisation may enhance the efficiency of executive control network. The nature and core value of musical creativity were discussed in relation to artificial intelligence and musical education.

並列關鍵字

composition ； improvisation ； self ； executive control ； creative idea generation

參考文獻

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