跨文化音樂現象：中國現代民族管絃樂海外傳播探析－以臺灣、香港、東南亞、美國為對象

Cross-Cultural Musical Phenomena: Overseas Communications of the Modern Chinese Folk OrchestralMusic-Taiwan, Hong Kong, Southeast Asia, the United States as the Target

施德玉(SHIH, Te-Yu)

《關渡音樂學刊》 34期 (2021/08) Pp. 25-47

摘要

中國音樂擁有悠久的歷史，在長時間的發展中，經過廣大地域的傳承與流播，形成多種多樣的音樂型態。以歷時性的概念探究中國音樂，就有傳統音樂與當代音樂的名稱出現；而以共時性的概念觀察，在中國廣大土地上，同一時期在不同地域就能有多種不同風格的音樂呈現。又傳統音樂也會隨著時空的轉換，社會的變遷或是受到當代音樂的影響而逐漸現代化，這就是其中錯綜複雜的音樂現象，也是音樂學界不斷關注與研究的重要課題。本文首先對於中國傳統音樂的範圍予以梳理，並說明本文研究主題為中國現代民族管弦樂；其次對於跨文化音樂、跨國主義予以論述，並列述本文跨文化音樂之理論依據；其三探究中國現代民族管弦樂海外傳播的緣由與現象；其四探析中國現代民族管弦樂傳播到臺灣和香港的跨文化音樂現象；其五分析中國現代民族管弦樂傳播到東南亞一帶所產生的跨文化音樂現象；其六分析中國現代民族管弦樂傳播到美國所產生的跨文化音樂現象；最後結論，提出中國現代民族管弦樂傳播到海外所形成的跨文化現象，對於當代音樂的發展所形成的特別效果。本研究運用分析法、論證法探究中國現代民族管弦樂傳播到海外所形成的跨文化現象，所論述結果期望能對於當代中國現代民族管弦樂的風格特色多元發展，提供一些研究資料。

關鍵字

傳統音樂 ； 中國現代民族管弦樂 ； 跨文化音樂 ； 跨國主義 ； 海外傳播

並列摘要

Chinese music has a long history. During the development period, a wide variety of musical patterns and forms were created via vast inheriting and dissemination. Based on the diachronic concept, both Chinese traditional music and contemporary music were being developed. In synchronic concept observed in Mainland China, there were a variety of different styles of music presented at the same period of time in different regions. Traditional music converts and evolves with time and space, and may be influenced by social changes to gradually become modernized, which causes the complex phenomena of music as well as the reason why the academia continue to focus on this important research subject. In the first part of this research, the scope of traditional Chinese music is sorted and categorized and the modern Chinese folk orchestralmusic as the theme of this research is to be explained. Next, the research discusses cross-cultural music, transnationalism, and the cross-cultural music theoretical frame of this research. Thirdly, the discussion is on the causes and phenomena of overseas dissemination of the modern Chinese folk orchestralmusic. The fourth part is an analysis of the phenomena of modern Chinese folk orchestralmusic that spread cross-culturally to Taiwan and Hong Kong. The fifth part is an analysis of the phenomena of the modern Chinese folk orchestralmusic that spread cross-culturally to Southeast Asia. Then, what follows is an analysis of the phenomena of the modern Chinese folk orchestralmusic that spread cross-culturally to the United States. The conclusionis about the special effects on contemporary music caused by cross-cultural dissemination of modern Chinese folk orchestralmusic. The research utilizes analysis and argumentation method to explore the cross-cultural phenomena of the modern Chinese folk orchestralmusicthat spread overseas, and hopefully, the results could benefit the research on the diversified development of contemporary modern Chinese folk orchestralmusic styles.

並列關鍵字

Traditional Music ； Modern Chinese Folk Orchestral Music ； Cross-Cultural Music ； Transnationalism ； Overseas Dissemination

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