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  • 會議論文

《楊氏女殺狗勸夫》與《第二牧羊人劇》寫作結構比較

Comparing with Two Plays: Killing a Dog Young women urged Husband and The Second Shepherd's Play

摘要


《楊氏女殺狗勸夫》簡稱《殺狗勸夫》作於中國元代(1271年-1368年)之間,是流傳於民間的著名雜劇作品。作者偽蕭德祥,後被改編為四大傳奇之一的《殺狗記》;而《第二牧羊人劇》是英國十四世紀的經典劇作品,由威克菲大師潤飾而成,成為威克菲劇團中的第十三齣戲。二者分別出自於不同的文化背景,探討的議題亦全然不同,兩部作品雖可推測是在同一個時期完成,但就呈現出來的風貌來說,前者是民間故事,後者是教化人民的宗教劇,可說是完全不同的取向。值得注意的是,二者在寫作上卻共同使用「偽裝」的手法,《殺狗勸夫》中以狗扮死人,《第二牧羊人劇》中,也同樣是以羊扮初生的嬰兒。本文即從二劇的寫作結構著手,拋開體制上兩者的不同,分析二劇中人物、情節以及衝突手法的使用,是如何使劇情發展、刻畫人物並且達到劇作家最終要給予觀眾的意義,增加其詮釋的空間。

並列摘要


Killing a Dog Young women urged Husband was written in the Yuan Dynasty (1271-1368 years), with a spread in the civil works of the famous Opera. Author Xiao Dexiang, after being adapted into one of four legendary Dog Killing; and The Second Shepherd's Play is a 14(superscript th) century work of Mystery play in British, made by the Wakefield. The former is a folk tale, and the later is a religious drama which educate the people. It is worthy to note that the two have shared in one concept, ”disguise”. Killing a Dog Young women urged Husband in order to play dead dog, and The Second Shepherd's Play also appears a new-born sheep baby. The article will begin two with scripts, analysis characters of the play, plot, writing structure, and conflict tactics, increasing the interpretations for readers.

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