展示設計於歷史空間之探討－以松山文創園區台灣設計館及北向製菸廠為例

A study on display design of historic space: Take the songshan cultural and creative park (Example of Taiwan design museum and north tobacco factory)

吳瑋彬(Wei-Bin Wu) ； 官政能(Cheng-Neng Kuan)

《實踐設計學報》 12期 (2018/12) Pp. 298-319

摘要

歷史空間以及相關的老舊空間，隨著時代變遷逐漸褪去過往的使用目的，伴隨而至的是空間所面臨的保留、拆除、重建等種種問題，然而都市更新的過程中，在面對老舊空間保留的同時，又以展覽形式的再利用為目前最普遍的共識價值。其中不乏作為學術發表、設計競賽以及產品宣傳相關的活動使用，但在諸多的場域條件限制下，如何有效運用展示設計在歷史空間產生關聯性的導引作用，並以此提高歷史空間之能見度，儼然成為全新的挑戰。然而在相關案例中所見到的展示設計，不外乎以常見的展台、展板、展架等既定方式，作為展覽的陳列主軸。本研究將重新聚焦展示設計於歷史空間之探討，回顧歷史空間再利用之相關文獻作為參考，並以松山菸廠舊址設定研究範圍，經由代表性案例的對照，分析該空間常見之展示形態並重新進行創作模擬。提供策展人和設計者在利用此空間舉辦展覽活動時，能運用空間關聯性作為規劃依據，如下列要素：1.原貌能見度2.構件呼應感3.展示互動性，藉由在保留空間原貌的條件下和展覽行為取得展示呈現上的平衡，為歷史空間帶來更多元的展示可能性。

關鍵字

歷史空間 ； 展示設計 ； 空間關聯性

並列摘要

The purpose of usage of a historical building and its ancillary spaces constantly change over time. Such a building or space may need to be maintained, demolished, or rebuilt. Under urban renewal projects nowadays, the most popular solution is to preserve the original building and renovate it with some demonstration features into a space, for example, for academic presentation, design contest, or product promotion. The challenge then is to use display design to effectively create a link to the past, in view of all the inherent limitations within the historical space. Nevertheless, display design adopted in these cases normally involve only routine arrangements, such as combinations of booths, display panels, and exhibition racks, to present the exhibit themes. This study aims to explore display design for monuments and review literatures on transformation of the like. By comparing Tobacco Factory in the Songshan Cultural and Creative Park with representative cases, it is to analyze the commonly-used display techniques and simulate how a design may come to life, so as to provide curators and designers who need to hold exhibitions here some ideas about weaving the history of the space into the event planning. Three factors for consideration: 1. preservation of the original space, 2. integration of individual elements, and 3. interaction in presentation. The goal is to balance the need for monument preservation and the leeway for exhibition curation and, eventually, bring about more alternative display design within spaces of historic significance.

並列關鍵字

historic space ； display design ； connection to the space