摘要
目的：高雄縣內門鄉是擁有臺灣最完整的民俗藝陣，故有「民俗藝陣之鄉」之美名。隨著神聖的宗教慶典和嘉年華活動成功的結合，讓原本沒沒無聞的內門，注入一股新的活力泉水。因此，本研究旨在探討傳統與創意宋江陣的轉變歷程。方法：採行文獻分析法與歷史研究法並輔以研究者個人經驗，試圖分析其演變過程。結果：隨時代的更替、社會的演變，傳統宋江陣轉變成嘉年華活動，宋江陣也融合舞龍、舞獅、八家將、官將首、街舞、雜技、京劇武打等等的複合型表演，打破傳統的包伏，發展成創意宋江陣。其次，受政府提倡鄉土文化的重要，以及宋江文化與觀光發展的結合下，宋江陣嘉年華活動除創意比賽外，另有表演活動、相關展覽以及學術活動，藉此將民俗藝陣推展至國際，並增加觀光人數與凝聚在地民眾向心力等。結論：隨著宋江陣的轉變，也漸漸失去了它原有的樣貌，未來究竟如何發展?實有賴當地民眾和有心人士的努力，才能永續經營臺灣藝陣文化。
並列摘要
Purpose：Neimen township in Kaohsiung county, Owns the Taiwan 's most complete array of folk art, it has ”township of folk arts and performance” of good reputation. With the sacred religious ceremonies and carnival activities, successfully combine that the original unknown Ruohanmen has injected new vigor into the spring. Method：This research investigate the tradition and creative changes in the course of the Sung Chiang Battle Array, the researcher took both methods of the analyzing literature, historical research, and personal experience with researchers trying to analyze evolution procedure. Results：According to this study, due to the change of society, traditional Sung Chiang Battle Array becomes carnival activities, Sung Chiang Battle Array fuses Dragon Dances, Lion Dances, Ba Jia-Jiang, Guan Jiang-Shuo, Street Dance, Acrobatics, Peking Opera, etc. It breaks the traditional constraints to develop into creative Sung Chiang Battle Array. Next, the government advocates the importance of local culture as well as Sung Chiang cultural and tourism development combination. The Sung Chiang Battle Array Carnival activities in addition to creative competitions, there were performances, exhibitions, and academic activities related to folk arts and performance will be extended to international and increased tourist numbers and cohesion in the people. Conclusion: The change of Sung Chiang Battle Array has gradually lost its original appearance. How about develop in future? It hopes that the local population and enthusiastic efforts to sustainable management of Taiwan arts and performance culture.
延伸閱讀
- 蔡俊宜、歐宗明、蔡宗信（2017）。創意宋江陣頭大賽陣形探析。身體文化學報，(25)，71-95。https://doi.org/10.6782/BCJ.201712_(25).0003
- 沈志君（2005）。傳統民俗宋江陣與大專創意陣頭之初探。屏師體育，(9)，199-203。https://www.airitilibrary.com/Article/Detail?DocID=a0000186-200507-x-9-199-203-a
- 廖文志（2002）。羅漢門宋江陣的涵化現象〔碩士論文，國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-2603200719130193
- 霍達文（1983）。A study of army rebellions in the Chia-ching period of the Ming dynasty〔碩士論文，香港大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0029-1812201200012721
- Li, C. (2007). EVOLUTION OF THE BEI CONSTRUCTIONS IN CHINESE. Journal of Chinese Linguistics, 35(1), 98-127. https://www.airitilibrary.com/Article/Detail?DocID=P20181204001-200701-201812130020-201812130020-98-127