論《三國演義》中關於周瑜形象的創意書寫

Discussion of the Image of Chou Yu: A General Discussion of the Creative Writing of the Romance of the Three Kingdoms

高齡芬(Ling-Fen Kao)

《臺北城市科技大學通識學報》 2期 (2013/04) Pp. 59-72

摘要

本文之作，主要試著從《三國演義》中的周瑜形象之塑造來談三國故事的創意。首先分別介紹《三國演義》與史書中包括《三國志》、《資治通鑑》等所呈現的周瑜形象以論述小說之書寫與史書的關聯。主要的切入角度有二，即「故事情節的安排」與「人物性格的描繪」兩方面。結論是儘管小說與史書的周瑜形象差異頗大，然而《三國演義》有關周瑜的描寫基本上還是貼著正史的記載。故無論人物性格或情節發展，考之史書多半是有跡可循的。

關鍵字

三國演義 ； 三國志 ； 周瑜 ； 創意書寫 ； 人物形象

並列摘要

The main purpose of this thesis is a discussion of the creative writing of the Romance of the Three Kingdoms, based on the creation of Chou Yu's image. First, I would like to introduce Chou Yu's image in the novel ”The Romance of the Three Kingdoms” and the historical books ”The History of the Three Kingdoms” by Chen Shou, and ”The Chronicle of the 16 Dynasties” (Tzu Chih Tong Chien) by Sze-ma Kuang. In order to discuss the relationship in the writings of Chou Yu's image in novels and historical books, I have two main perspectives for this discussion: One is the arrangement of the story, and the second is the description of the characters. In conclusion, although there are significant differences in Chou Yu's imagine between the novel and the historical books, the description of Chou Yu in ”The Romance of the Three Kingdoms,” basically followed the facts of the historical books. Therefore, whatever the development of the characters or the episodes, they both were stated within the context of the historical facts.

並列關鍵字

The Romance of the Three Kingdoms ； The History of the Three Kingdoms ； Chou Yu ； The creative writing ； A personage's image

參考文獻

司馬光(1987)。資治通鑑。臺北:世界書局。

陳壽(1979)。三國志。臺北:鼎文書局。

范曄(1979)。後漢書。臺北:鼎文書局。

沈伯俊(2002)。三國漫談。臺北:遠流出版公司。

陳致平(1973)。三國史話。臺北:三民書局。