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中國宋代花鳥畫融合西方極簡主義思想之探討

Chinese Song generation flower-and-bird painting blends the west pole study of doctrine Chien's thought

摘要


兩宋時期,大約〈西元九六0年~西元一二七九年〉,在這段時間內,中國的花鳥畫藝術得到空前的發展而進入鼎盛時期。建國之初,設立的規模很大並成為科學考試的一部分的宮廷畫院,畫院的畫風成為左右宋朝繪畫的主要力量,繪畫藝術出現唐代顗後的又一個高峰。宋代繪畫領域的許多變化是前所未有的,由皇家畫院到畫學的興辦,文人畫的興起,都是這個時期的重要美術現象。花鳥畫藝術的主流經過多次轉變,以五代為始至南宋末年,將畫史時期與造成宋代花鳥畫興盛之原因作一分析本文基於宋代畫鳥畫的繪畫風格與西洋繪畫的極簡主義風格,自一九六O年代發展以來,在繪畫領域上,融合西方思想的表現模式,既有東方簡約的美感,又有西方前衛的精神,於是將重點放在探討美學之文化傳承與現代繪畫風格的藝術呈現。

關鍵字

花鳥畫 文人畫 極簡主義

並列摘要


Two Song periods, about<A.D.960 years~1279>, within this period of time, the flower-and-bird painting art of China gets the unprecedented development and gets into a vigorous period. The beginning founded a nation, establish of large-scale and become the palace painting of one part of science examination hospital, the painting style of painting hospital becomes the main strength of or so Sung Dynasty painting, the painting art appears the Yi in Tang Dynasty behind of another high peak. What many varieties of Song generation painting realm were unprecedented, went to the painting to learn from Royal painting hospital establishes, scholar painting of the rise is all important art phenomenon of this period. The main current of flower-and-bird painting art after many changes, with five on behalf start into south Song last years of the period, will draw a history period and cause Song generation flower-and-bird painting prosperous reason make a to analyze This text according to the painting style of the Song the generation painting bird painting and the pole doctrine Chien's style of the western painting, from developed for 196 O ages, on the painting realm, blend the performance mode of western thought, since have eastern Chien invite of pleasant impression, and then have the western vanguard's spirit, hence will particularly put be inquiring into the cultural tradition of the esthetics and the art of the modern painting style presenting.

參考文獻


何恭上(1994) ‧中國美術史‧台北‧台北市立美術館。
吳羚木(1989) ‧中國畫技法概論‧台北‧莊嚴出版社。
洪文慶(2001)‧海外中國名畫精選〈I〉‧台北‧錦繡出版。
高木森(1994) ‧宋畫思想探微‧台北市立美術館。
徐改(1995) ‧中國古代繪畫‧台北‧台灣商務印書館。

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