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從電影主題曲到台語流行歌詞的實踐意義-以李臨秋戰前作品為探討對象

The Practice Significance from Movie Theme Songs to Taiwanese Southern Ming Popular Lyrics: a Case Study of Lǐ lín-qiū(李臨秋)'s Pre-War Products

摘要


習慣在深夜、燒酒、夜來香三物陪伴下創作的李臨秋,其作品橫跨二戰前後,其歌詞特色以描寫庶民文化為要,因其認為要將社會狀況反映在作品裡才有意義。但相對於戰後作品的嫻熟多元與批判觀點,李臨秋的戰前歌詞多側重在庶民情愛,尤其是女性思維的描摹更具巧妙。以其戰前的作品而言,李臨秋在電影主題曲到台語流行歌詞的發展過程所佔有的位置,是其在詞風新舊轉變中,實踐突破歌詞句式型態但仍維續文雅婉約的風格,就當時引領台語流行歌曲的積極發展而言,當有其時代意義與價值。

並列摘要


To compare with Lǐ lín-qiū (李臨秋)'s after -war products, the character of his pre-war Taiwanese Southern Ming popular lyrics is mainly to describe popular culture. Lǐ used to think popular songs might go to be meaningful while they could reflect more concern about social phenomena. Therefore, Lǐ lín-qiū’s pre-war Taiwanese Southern Ming popular lyrics show more popular emotions, especially in female’s thinking. We should admit Lǐ lín-qiū pre-war products are important when we talk about his pre-war Taiwanese Southern Ming popular lyrics. Through his popular lyrics, we can find that he tried to make difference in lyrics’ form and content. We believe Lǐ lín-qiū should be an important Taiwanese Southern Ming Popular Lyrics maker which could let Taiwanese Southern Ming Popular songs to be more popular from 1930s until now.

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