英國宗教改革後，來自英國民歌元素的宗教歌曲探討

Study on the Elements of British Folk Songs in Religious Songs after the British Reformation

林玉琇(Lin, Yu-Shiou)

《通識教育學報》 7期 (2019/12) Pp. 21-76

https://doi.org/10.6517/MCUT.201912_(7).0002

摘要

本研究利用17至20世紀的英國民歌之書面記載，以及英國民歌曲調中的變體與曲調家族研究理論，找尋英國宗教改革後，與宗教歌曲仿作對應的英國民歌，證實當時部分的宗教歌曲採用了民歌音樂元素，而這些來自民歌的宗教歌曲仿作，反而成為研究古老英國民歌的珍貴史料。

關鍵字

英國民歌 ； 宗教改革 ； 變體 ； 曲調家族 ； 宗教歌曲仿作

並列摘要

Using the written records of British folk songs from the 17th to the 20th centuries, the variants of these folk songs and the study of the tune family, the goal of this study is to search for British folk songs that were matched with Christian melodies after the British Reformation, and confirming that some Christian melodies are mixed with musical elements of folk songs of that time (sacred parody). These sacred parodies from folk songs have become the precious historical materials for the study of ancient British folk songs.

並列關鍵字

British folk songs ； religious reforms ； variants ； tune family ； sacred parody

參考文獻

Bronson, Bertrand. The Traditional Tunes of the Child Ballads. Vol. I-IV, Princeton: Princeton University Press, 1959-1972.

Husk, William Henry. Songs of the Nativity. London: John Camden Hotten, 1868.

Rimbault, Edward F. A little book of songs and ballads: gathered from ancient musick books. London: J. R. Smith, 1851.

Bronson, Bertrand. “Some Observations about melodic variation in British-American folk tunes.” Journal of the American Musicological Society; Richmond, Va. Vol. 3 (1950), pp. 120-34.

Benham, Hugh. “Western Wind.” Grove Music Online. 2001. Oxford Music Online. Web. 26 Apr. 2019. https://www.oxfordmusiconline.com/grovemusic/