檔案史料由於含有大量時間及空間資訊,不易以文字展現,印刷圖版亦難以層層敍明,而引入GIS後,則可以用視覺化方式呈現時空關係。長期以來,應用GIS的數位人文研究成果,內含大量的剖析資訊、圖表和圖層,用於展覽時往往缺少對民眾的吸引力。當今串流影音大行其道,民眾日益習慣於觀看影音的情形下,將數位人文研究成果轉化為具視覺衝擊力的影音作品,增進民眾吸收意願的重要性越發迫切。本研究以故宮所拍攝之《印象水沙連》紀錄片為個案,分析如何應用GIS,解析清代閩浙總督來臺視察水沙連(今日月潭)後所撰寫之奏摺,並將研究的結果轉化為視覺語言為主要訴求的影音作品。最後則對博物館、檔案館應用GIS製作影音作品提出建議。
Because archives contain a lot of time and space information, it is difficult to display them in words, and it is difficult to describe them layer by layer on printed boards. However, after the introduction of GIS, the relationship between time and space can be presented visually. Over the years, the digital humanity research results with the application of GIS containing a large amount of analytical information, charts, and layer concepts often lack the appeal to the general public when displayed in exhibitions. Due to the popularity of streaming videos and the fact that the general public is increasingly accustomed to absorbing audio-visual materials, there is an urgent need for cultural institutions to transform such research results into audiovisual works with visual impacts to enhance public absorption. This study takes the documentary video "Impressions of Sazum" filmed by the National Palace Museum as the case to analyze how the Museum applied GIS to explore the process of the Governor of Fujian and Zhejiang came to Taiwan for the inspection of Sazum (now Sun Moon Lake) during the Daoguang period of the Qing Dynasty and wrote the memorial to the throne. The results of the Museum's study were transformed into an audio-visual work with visual language as the main appeal. Lastly, this study proposes several suggestions for museums and archives to apply GIS in the studies of archives and the production of audio-visual works.