中文藝術歌曲《今生今世，母難日三題之一》之鋼琴伴奏編曲探究

A Study on the Arrangement of the Piano Collaboration of Chinese Art Song ＂In this Life, Day of Mother's Disaster Episode One of Three＂

陳佳欣(Chia-Hsin Chen)

《華醫學報》 53期 (2020/12) Pp. 54-72

摘要

本研究的主旨，是以余光中的詩《今生今世，母難日三題之一》，和素人作曲者林志明創作的旋律為架構，探討如何編寫出具有深刻情感張力的鋼琴伴奏以及如何利用鋼琴伴奏的編曲，將詩詞與音樂做一緊密的結合。筆者將在本文中，對於和聲架構、低音進行，以及間奏與尾奏的編寫，做深入的闡述，同時對於非音樂科班背景的旋律作者林老師的創作，以尊重原作者的創意為前提，如何在需要調整的部份做潤飾與修改，也會一併在本文提及修改的方式及依據。

關鍵字

中文藝術歌曲 ； 今生今世 ； 余光中 ； 林志明 ； 鋼琴合作編曲

並列摘要

The research aims to discuss how to arrange the piano collaborative part of the song basic on the poem ＂In this life, day of mother's disaster episode one of three＂ written by Guang-Zhong Yu, melody by an amateur composer Chih-Ming Lin, to express the emotional tension of the poem and how to combine the poem and the music closely by the arrangement. Will also mention about the harmonic architecture, how the bass going and how to arrange the interlude and coda in the article. The composer of the melody doesn't have music background, it does matter to respect the original ideas of the composer when some of the parts of the music need to be fixed or to be embellished, will mention about the way and the music theory based on to fix and embellish in the article.

並列關鍵字

Arrangement of the Piano Collaboration ； Chih-Ming Lin ； Chinese Art Song ； Guang-Zhong Yu ； In this Life