以賦為文－張惠言賦論對其文章書寫的影響

A Study of Zhang Huiyan's Theory of Fu and Its Function on the Structuring of His Studies of the Prose Genres

蔡美惠(Tsai, Mei-Hui)

《人文社會學報》 20期 (2020/07) Pp. 175-197

摘要

張惠言為清代陽湖派的開創者，亦為常州詞派的祖師。綜理張氏的習文取徑，不同於桐城派之獨尊韓歐，而能獨樹一幟的因素，與其賦學密切相關。張惠言的文章學理論，與其詞學相通，更與其賦學相通，尤其張氏取擷辭賦創作之精華，並融煉自身創作之經驗，援之以為詞，又援之以為文，因此其賦論與詞論密切相關，且賦論與文章理論又相聯結，故張氏之賦論，對其文章學之建構與文章之創作深具作用，探討張氏文章學理論，實在不能不論其賦之學習與創作。本文試研究張惠言之賦論，進而探究其賦論與文章學之關聯，並說明張氏之賦論對於其文章學建構之作用與價值。

關鍵字

張惠言 ； 陽湖派 ； 文章學 ； 賦論 ； 以賦為文

並列摘要

Zhang Huiyan is one of the founders of both the Yang Hu School and the Changzhou Ci School. Different from the Tongcheng School with its singular interest in advocating Han Yu and Ouyang Xiu, Zhang models his prose writing on various sources, and his uniqueness is closely related to his theory of fu. Zhang Huiyan's theories regarding the prose genres are connected with his theory of ci, while they are even more connected with his theory of fu. In particular, Zhang captures the essence of fu writing of earlier times and integrates them, along with his own writing experience of fu, into his composition of prose, deeply affecting the structuring of his studies of the prose genres and his own prose writing. To explore Zhang's theories regarding the prose genres, we cannot but discuss his study and writing of fu. This study attempts to examine Zhang Huiyan's theory of fu so as to further explore the connection of it to his studies of the prose genres, while commenting on its function and value in relation to the structuring of his studies of the prose genres.

並列關鍵字

Zhang Huiyan ； Yang Hu School ； Studies of the Prose Genres ； Theory of Fu ； Imagery

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