- 期刊
戰後題輓文化的實務與書跡─以國史館藏「陳誠副總統文物」為例（1954－1965）
Taking the Vice President Chen Cheng's Cultural Relics from 1954 to 1965 in the Collection of Academia Historica, The Practice and Calligraphy of Dedication Culture for Elegiac Words after the World War II
摘要
書法題詞的應用範圍十分廣泛，舉凡婚嫁、喪葬和喜慶等具有紀念意義的場合，所見的聯匾、幛軸，以及褒揚和惕勵性質的標語，皆涵蓋於此範疇中。然而題輓文化中的輓額、輓聯等書跡，在追悼儀式結束後，即隨著禮俗傳統而焚化不再存留，因此考察國史館藏「陳誠副總統文物」，藉由陳誠（1898－1965）於國家行政和軍事上的特殊身分，說明其題輓實務係由辦公室的幕僚分工完成，為當時官員題輓的代筆現象之舉隅，並且分析文物得知署名為「陳誠」的題輓書跡，內容生成之「編撰／文字」和「繕寫／書法」的關鍵代理人為李漁叔（1905－1972）和王壯為（1909－1998）。
並列摘要
The application of calligraphy dedication was quite popular in some memorial events, including marriages, festivals and funerals. The couplets, plaques, hanging scrolls and slogans of praise and compliment belonged to the category. However, the calligraphy works in plaques and couplets for lamenting death would be burnt for the dead after the funeral. Therefore, there would be difficult to inspect the making process of the dedication culture for elegiac words. On the other hand, the essay explored the left writings in plaques and couplets for lamenting other chiefs and dignitaries after the World War II through the Vice President Chen Cheng's cultural relics in the Collection of Academia Historica. Due to his special role both in Republic of China's administrative and military, the essay took Chen Cheng (1898-1965) as an example in dedication for elegiac words by officials at that time. The calligraphy on plaques and couplets for lamenting other deaths were completed in division of labor by his specialized staffs, including Lee Yu-shu and Wang Chuang-wei. Although these plaques and couplets were signed by Chen Cheng, the contents were created by Lee Yu-shu (1905-1972) and the calligraphy was written by Wang Chuang-wei (1909-1998).