再現古蹟歷史軌跡－國立臺灣博物館古蹟修復展覽評論

博物館肩負文化資產的保存、研究與展示等功能，在國內，國立臺灣博物館4座館舍皆為見證臺北城區發展的關鍵古蹟。究竟，博物館如何透過展覽途徑，再現古蹟歷史軌跡，並呈現古蹟修復歷程？展覽中關注的展示主題與內涵，以及展示設計的呈現手法為何？本文選擇國立臺灣博物館古生物館、南門館、鐵道部園區，針對3館舍的古蹟修復展覽進行評論。透過實地考察發現，古蹟修復展覽主要配置3單元主題面向：古蹟生命史與相應社會文化脈絡、古蹟建築特色、古蹟修復過程，且隨著國立臺灣博物館不同時期的館舍規劃，3案例在呈現修復過程的論述層次有所移轉。而在展示手法上，透過建築構件實物、文件與書圖、模型，能使觀眾較具體及近距離認識建築特色與修復過程。不過本文建議展示需經適當詮釋，引發觀眾思考其歷史價值。此外，展覽將原存於古蹟各處的建築遺構、工法、設備等，透過現地展示，不僅能使觀眾一窺建築特色，更可瞭解修復過程的議題。然而因現地展示分散於館舍各處，本文建議在規劃上，可採用古蹟歷史軌跡為主體的敘事脈絡，搭配展覽摺頁，強化展覽整體與現地展示的連結，並激發觀眾參觀動機。期望本評論可供未來相關展覽的實務參照，深化當代博物館的文化資產教育能量。

關鍵字

古蹟修復與再利用；展覽規劃與設計；現地展示

並列摘要

Museums are responsible for preserving, researching, and exhibiting cultural heritage. Four buildings of the National Taiwan Museum are testaments to Taipei's urban development. How can museums represent the historical trajectory and restoration process of historic sites through exhibitions? What should be the main focus of such exhibitions? Which planning methods and design techniques should be used? The aim of this article is to attempt to address these questions by reviewing the historic site restoration exhibitions of the Natural History Branch, the Nanmen Branch, and the Railway Department Park of the National Taiwan Museum. Based on the results of field studies, three themes emerged: the site's history and corresponding socio-cultural contexts, architectural characteristics, and restoration process. As planning of these three branches took place during different periods, there was a shift in gradation of the discourse on the restoration process. With regards to exhibition design, visitors should be able to gain a clear and close understanding of architectural characteristics and the restoration process via architectural elements, documents, blueprints, and models. However, appropriate interpretation is needed to trigger reflection on the site's historical value. These exhibitions showcase architectural remains, construction methods, and equipment. Through such ＂in-situ exhibits＂ visitors are able to catch a glimpse of architectural features and gain an understanding of issues that arise during the restoration process. As these in-situ exhibits are scattered, to strengthen their bonds with the overall exhibition and to motivate people to visit, a narrative that is based on the historical trajectories of these sites should be adopted and accompanied by explanatory leaflets. It is hoped that the results of this review can serve as a practical reference for contemporary museums in their planning of relevant exhibitions and in the gathering of cultural heritage education momentum.