室內裝飾元素之演化研究

室內空間的外貌，自設計師的草圖開始，至最終的使用者自行塑造結果，可說是一種有機演進的過程，分別呈現不同的特徵。因為只要是人，多有偏好及調適生活及工作環境的天性，會主導周遭環境的外貌。由是，裝飾成為不同階段空間使用者的心理及生理反映。簡單地說，設計階段多半為不同建材整合的結果；外購家具階段，較常是業主的空間權力展現；私領域則概屬個性化的、動物發揮天性自己打造自己的窩的強調。本研究除了檢視設計發展沿革，也透過兩個案例，從裝飾文化、手法等方向探討這些階段的裝飾特徵。藉此觀察，可發現每個時期的設計多有獨特的初始風格與落幕的樣貌。大致上，各時期乃至於今日，多少在過度裝飾之後，轉向排除裝飾之間做徘徊。加上，因應文化、宗教、價值觀、審美的考量的介入，設計師與使用者的裝飾結果或多或少和平共存。

關鍵字

室內設計；裝飾；偏好；審美

並列摘要

It can taken as an organic result when focusing on every interior decoration, for it is initiated on the drafting board to come about transition materials that joint up two type of construction materials, and ended with rather a personal alteration of private rooms sending messages of aesthetic preferences. That is, there are states of decorative appearances echoing psychological and physiological responses to the occupied spaces. As an instance, it is the high time for the client to dominate the decorative taste who paid for the fees, while on the drafting board, the designer unleashed his or her decorative preferences. There's no arguing about which is more appropriate. To delve into the subject, this study briefly reviewed the evolution of stylistic elements and conducted two case studies of design features. It is perceivable that unique elements are generated to give birth of every alleged decorative movement, while ended with overwhelming mannerist applications. Likewise, we are certain that modern interior decoration has become something of individualist discretion without strict doctrine or value structure.

並列關鍵字

Interior Design ； Decoration ； Preference ； Aesthetics

國際替代計量

室內裝飾元素之演化研究

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