論「由久而暫」時間結構的現象與美感——以新詩為考察對象

The Phenomena of the Time Structure ＂From Permanent to Momentary＂ and its Aesthetics － Examination on Neo Poetry

仇小屏(Chou Hsien-ping)

《成大中文學報》 11期 (2003/11) Pp. 247-263

https://doi.org/10.29907/JRTR.200311.0006

摘要

由久暫章法切入分析文學作品，可以有「由暫而久」、「由久而暫」、「暫久暫」、「久暫久」四種不同的時間設計。而新詩中形成「由久而暫」結構者較為常見，因此就會造成「時間定格」的現象。在這種情況下，「久」時間對「暫」時間形成對比或調和的烘托，而且此「暫」時間不僅兼具個別性與代表性，形象獨特、情意豐富，並且置於詩末方才出現，更是容易引起讀者的注意。凡此種種，都讓這個「時間定格」益發鮮明而獨特，美感極為強烈。

關鍵字

新詩 ； 久暫章法 ； 時間定格 ； 一與萬 ； 景情 ； 剛柔

並列摘要

To analyze a literary work by the arrangement of time, there are four approaches to the organization of writing: from momentariness to permanence, from permanence to momentariness, momentariness vs. permanence vs. momentariness, and permanence vs. momentariness vs. permanence. Approaching from permanence to momentariness is a common expression in Neo-Poetry, which results to the effect of ＂Time Frozen in Frame＂. Such approach highlights the contrast or harmony between these two elements. Momentariness represents individual and specific event, with unique image and full sentiment. It will easily attract the reader's attention when a momentary scene presents at the end of a poem. The time frozen in frame becomes vivid and unique, and the aesthetic image becomes powerful.

並列關鍵字

Neo-Poetry ； approach of permanence vs. momentariness in the organization ； the time frozen in frame ； unique and universal ； scenes and senses ； toughness and tenderness

參考文獻

黃永武。中國詩學－設計篇。

趙山林。詩詞典藝術。

童慶炳。中國古代心理詩學與美學。

李元洛。詩美學。

劉雨。寫作心理學。