並列摘要
The creative work of fairy tale is a mirror between mainland and Tai Wan Island in 1990s. In this mirror ,it demonstrate fragmental human character in children's mirror image as well as dotted perspective in the culture of mainland and Tai Wan Island ,which indicate the trend of multi-culture value in two sides' fairy tales in 1990s. It is also a mirror that shows relation between the former and the latter, which is full of post-modern characteristic. All of them form macro specialties of fairy tale in 1990s.
延伸閱讀
- 鄭羽婷（2014）。《少年Pi的奇幻漂流》兩種英進中譯本翻譯策略之比較〔碩士論文，長榮大學〕。華藝線上圖書館。https://doi.org/10.6833/CJCU.2014.00051
- 吳敏子（2009）。童話符碼與自我投射〔碩士論文，國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1901201022452100
- 徐國明（2014）。當神話變成了歷史－1990年代台灣原住民族歷史建構與文化政治。臺灣文學研究學報，(19)，89-113。https://www.airitilibrary.com/Article/Detail?DocID=18172946-201410-201411250010-201411250010-89-113
- Lee, T. H. C. (2008). REVIEW ARTICLES: Reflections on Reflections on Mirrors. 中國文化研究所學報, (48), 451-467. https://doi.org/10.29708/JCS.CUHK.200801_(48).0017
- 陳怡君（2015）。Ecstatic Performance of Misrecognition in front of the Contemporary Mirror。藝術論文集刊，(25)，49-73。https://www.airitilibrary.com/Article/Detail?DocID=18118534-201510-201602160006-201602160006-49-73