藝造自然　論鄭清文《採桃記》中的自然意識與生態美學

Narrating Nature: On Consciousness of Nature and Ecological Aesthetic in Tzeng Ching-wen's Notes of a Peach-Picking Trip

邱子寧(Chiou Tze-Ning)

《兒童文學學刊》 18期 (2007/11) Pp. 167-187

https://doi.org/10.6739/ttchl.200711_(18).0008

摘要

鄭清文作品群中原飽富臺灣風土色彩，大量細膩的動植物生態書寫亦形成作品特色；延續作者前兩部兒童文學作品《燕心果〉及〈天燈．母親〉的風格與特色，鄭清文在《採桃記》中仍舊富涵本土自然人文的書寫，並表露其生態關懷。本文藉生態批評以整體生態系統為據，考察鄭清文《採桃記》中自然與人的關係之呈現，並以作者相關作品為援，揭示文本中對文明批判所表現的自然意識以及傳達生態預警、生態責任及生態理想的美學層次。

關鍵字

鄭清文 ； 《採桃記》 ； 自然書寫 ； 自然意識 ； 生態美學

並列摘要

There are plentiful of natural conditions and social customs of Taiwan in works of Tzeng Ching-wen, and his works are featured for a minute description of plants and animals. Tzeng Ching-wen's Notes of A Peach-Picking Trip is a continuation of his last two children's books. In addition to rich writing of local nature and humanities, he shows his concerns about local ecology. Based on the integral ecosystem from ecocriticism, this essay first describes the relationship between nature and man in Notes of A Peach-Picking Trip. By using Tzeng Ching-wen's related works as supplement, the present essay furthers to proclaim the critique on civilization in order to aware consciousness of nature in the text and to convey the ecological aesthetic structure of ecological warning, sense of responsibility for ecology and ideal ecology.

並列關鍵字

Tzeng Ching-wen ； Notes of A Peach-Picking Trip ； Nature Writing ； Onsciousness of Nature ； Ecological Aesthetic