〈灰姑娘〉書寫與文化研究

A Survey of Cinderella Stories and Cultural Studies

賴育萱(Lai Yu-hsuan)

《兒童文學學刊》 19期 (2009/05) Pp. 51-72

https://doi.org/10.6739/ttchl.200905_(19).0003

摘要

從民俗學家所搜集的各地版本數量，以及歷代來各種流變或大幅改寫，乃至當代影視文本盛行的母題看來，〈灰姑娘〉是非常受歡迎的故事。學術界對〈灰姑娘〉的探索也遍及民俗學、心理學、社會學、歷史文化、性別等研究領域中。本文將探討近年來英美文獻對於〈灰姑娘〉的解讀與各種改寫童話文本的詮釋，並嘗試延伸兒童文學與文化研究領域中可供討論的議題。將文學文本及其他文化文本的相互指涉關係，納入兒童/成人文化互動體系中，以反映童話如何成為流行文化與文學文化、兒童文化與成人文化之間的橋樑。

關鍵字

童話 ； 灰姑娘 ； 改寫 ； 當代文化

並列摘要

Cinderella is a very popular tale measured by the number of versions in different areas found by folklorists, popular interest in retelling this story in different times, and by the prevalence of this motif in the film versions or mass-mediated texts. It is also studied in the field of folklore, psychology, sociology, cultural and gender studies. This article is a critical survey of the western academic literature in recent years about the exploration or interpretation of Cinderella stories and other rewritten versions of fairy tales with the attempt to find out the new research areas which can develop in the field of children's literature and cultural studies. If the inter-textuality between literary texts and other cultural texts is considered within the interaction between children's culture and adults' culture, fairy tales can be viewed as an intermediate between popular culture and literary culture as well as a link between children's culture and adults' culture.

並列關鍵字

fairy tales ； Cinderella ； rewrite contemporary culture