兩種先鋒性理念的並置與矛盾：論《新文藝》雜誌的文藝傾向

The literary magazine Xin wenyi 新文藝 (La Nouvelle littérature) was issued by the Shuimo Bookstore 水沫書店 in Shanghai in September 1929 and the magazine remained in the literary picture till April 1930. This short period of time, however, happened to witness the foundation of the League of Left-wing Writers in February 1930. The publication of the Xin wenyi and the rise of the League of Left-wing Writers, therefore, transpired in the same historical context. While keeping abreast of the latest literary trends of the world, the Xin wenyi showed a deep concern about the changing political situation in China. It introduced into China different or even contradictory tendencies of the world literature. This paper aims at studying the vanguard position the Xin wenyi played in both the artistic and ideological development and its literary inclination which contrasted with the mainstream literature of the Leftists of the time. The paper will proceed in three directions. First, it will examine the concept of “avant-garde” manifested by the Xin wenyi and the promotion of ＂New Literature＂ which covered different ideological tendencies. Then, by focusing on the literary and artistic criticism translated in the Xin wenyi, it will investigate the relationship between this literary magazine and the Leftist literature as well as the ambivalent attitude radiated from the former to the latter. It will also look at the cases discussed in the criticism translations, in which writers and artists achieved a balance between art and ideology. Finally, the paper will study the proletarian literature written by the editors of the Xin wenyi and will further examine the dilemma between pure aesthetic and ideological commitment demonstrated in their works.

並列關鍵字

Xin wenyi (La Nouvelle littérature) ； avant-garde ； modernity ； art and politics

國際替代計量

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