- 期刊
南部吴语鱼韵的层次及演变
ON THE STRATA AND DEVELOPMENT OF YU 鱼 RHYME CATEGORY IN SOUTHERN WU DIALECTS
摘要
南部吴语鱼韵今读的层次有学者在相关研究中已经涉及，例如梅祖麟（2001）、陈忠敏（2013）。本文在前人研究的基础上对南部吴语鱼韵的层次进行进一步的研究，认为南部吴语鱼韵今读有八个层次，分别为：层次Ⅰ：鱼麻合韵。层次Ⅱ：鱼韵独立。层次Ⅲ：鱼侯合韵。层次Ⅳ和层次Ⅴ都是鱼支合韵。层次Ⅴ是层次Ⅳ个别字脱落介音的结果。层次是鱼与支脂之微合韵。层次Ⅶ是层次的高化。层次Ⅷ：鱼虞合韵。层次Ⅰ是西汉层次，层次Ⅱ、层次Ⅲ是六朝（魏晉南北朝）层次，层次Ⅳ和层次Ⅴ都是六朝时期鱼韵发生音变的结果。层次Ⅵ和层次Ⅶ是六朝以后的层次。层次Ⅷ是晚唐五代（五代十国）层次。论文还讨论了辨析同源层次和异源层次的方法，认为层次Ⅰ、层次Ⅱ、层次Ⅲ、层次Ⅳ、层次Ⅴ、层次Ⅵ和层次Ⅶ都是南部吴语在自身发展中因词汇扩散而形成的同源层次，层次Ⅶ是异源层次。论文还构拟了同源层次的发展过程。
並列摘要
There are scholars who have already done some research on the sound strata of Yu 鱼 rhyme in Southern Wu dialects such as Mei Zulin (2001) and Chen Zhongmin (2013). Accordingly, this article presents a further research, which has found eight sound strata of Yu 鱼 rhyme in Southern Wu dialects. Layer I merges into the Yu 鱼 and Ma 麻 rhymes. Layer II is that Yu 鱼 rhyme stands alone. Layer III merges into the Yu鱼and Hou 侯 rhymes. Layer IV and V are both Yu鱼and Zhi支rhymes, sharing the same pronunciation. Layer V is the result of some dropping medials from Layer IV. Layer VI includes the Yu 鱼 Zhi 支 Zhi 脂 Zhi 之 and Wei 微 rhymes. Layer VI with high vowels becomes layer VII. Layer VIII consists of Yu 鱼 and Yu 虞 rhymes. Layer I originated in Western Han Dynasty, layers II, III, IV, V, VI and VII resulted from changes of Yu 鱼 rhyme in Six Dynasties (Wei Jin Nan Bei Chao), and layer VIII is from the late Tang period to Five Dynasties and Ten Kingdoms (Wu Dai Shi Guo) period. The article also discusses the ways to distinguish between the cognate stratum and the heterogeneous stratum. Layers I, II, III, IV, V, VI and VII are all cognate strata from lexical diffusion of the evolution in Southern Wu dialects while layer VIII is a heterogeneous stratum. Meanwhile, this article has reconstructed the process of cognate strata change.
延伸閱讀
- 伍煥堅（2021）。Explanation of the meaning of the inscription of Shao 卲 on Biaoqiang Bell□羌鐘, and discussion of the meanings of the characters whose pronunciation is Zhao 召 in excavated documents and ancient heirlooms。書目季刊，55(3)，37-43。https://doi.org/10.6203/BQ.202112_55(3).0002
- 蘇建洲（2018）。A Study of the ＂Ziachǎn＂ 子產from the Tsinghua Collection of Warring States Bamboo Manuscripts (VI)。饒宗頤國學院院刊，(5)，113-137。https://www.airitilibrary.com/Article/Detail?DocID=P20180606001-201805-201807060019-201807060019-113-137
- 杨振红（2023）。A Supplementary Discussion of the Document Recording Xieyu's(谢豫) Request for an Extension of the Investigation into the Case that Lei Dan(雷旦) Suing the County Jail Clerical Assistant Zhang Dong(张董)for His Demanding Bribes in the Bamboo Slips of the Eastern Han Dynasty Unearthed at May 1 Square in Changsha: With a Study of "Yuanshu"(爰书)。史学集刊，(205)，33-44。https://www.airitilibrary.com/Article/Detail?DocID=P20200721001-N202306090015-00003
- 張靜（2007）。Wuse (物色): An Important Critical Concept of the Chinese Lyric Tradition。臺大文史哲學報，(67)，39-62。https://doi.org/10.6258/bcla.2007.67.02
- 吉尾寬（2022）。The Significance of Toda Enji (戶田圓次)'s Materials: A Background Study on Kochi Fishermen's Migration to Nanfangao during the Japanese Ruling Period and the Bonito Fishing Industry in Keelung。海洋文化學刊，(32)，29-55。https://www.airitilibrary.com/Article/Detail?DocID=a0000442-N202305230003-00002