- 期刊
民國時期基督教圖像的本土化努力
The Inculturation of Chinese Christian Arts in the Republic of China
並列摘要
During the Chinese Christianity Inculturation Movement of the 1920-1930's, many Christian paintings were produced, including the pictures in the Kung Kao Po (a Catholic newspaper in Hong Kong), icons painted by teachers and students in Fu Jen University, and the series of pictures from the Chinese Christian Evangelical Art Society. On the basis of the particular characteristics of these images, this essay attempts an artistic and theological analysis of the paintings, analyzing the intent of the painters' efforts and the reasons why they may have failed to realize these goals.
延伸閱讀
- 陳虎（2022）。本地化進程中的中國基督宗教藝術。公教神學評論，()，182-221。https://doi.org/10.29719/CTR.202206_(2).0005
- 鍾智鋒（2016）。波動的政教關係與基督教在當代中國的發展。道風：基督教文化評論，(44)，123-151。https://www.airitilibrary.com/Article/Detail?DocID=P20170411002-201601-201710300014-201710300014-123-151
- 蔡秀卿（2010）。圖像藝術的時間表現－以中世紀基督宗教藝術為例。美術學報，(3)，47-69。https://doi.org/10.29872/JFA.201003.0003
- 邢福增（2009）。民間組織政策與中國基督教。二十一世紀，(114)，26-37。https://www.airitilibrary.com/Article/Detail?DocID=P20200814001-200908-202109010013-202109010013-26-37
- 李奭學（2016）。Christianity and the Formation of Modern Sense of Wenxue in Late Imperial China。東亞觀念史集刊，(10)，151+153-177。https://doi.org/10.29425/JHIEA.201606_(10).0010