论情感为诗歌的底色：以描述体诗《雅歌》4:1-7为例

情感和诗歌之间的纽带早已在圣经诗歌学界得到了广泛认可。不过这个认知常常是建立在人们对情感的通俗理解上，而未整合当代学界对脑神经学科、伦理以及诗歌研究的已有成果，故此缺乏应有的理论深度。鉴此，本篇论文从交叉学科的途径入手，提取关于当代诗歌批评、大脑的情感功能和列维纳斯伦理学思想的相关理论，论述情感如何成为接受圣经诗歌的关键。举例来说，《雅歌》4:1-7在学者间引起困惑和争议：它是审美还是审丑？赞美还是讥讽？以诗歌情感为钥匙，本文揭示这首诗将爱悦作为其底色，因情得景，以字成画，所形成的比喻的确比拟了所爱女子的体貌特征，但更为基本的是，它忠实地体现了诗人情感的浓烈，并且致力于引发听众的情感共鸣。作为最后的反思，本文对情感及与之相关的感性作出概念性描述，并提示它们在诗歌经验中的伦理意义。

關鍵字

诗歌物质感；感受性；描述体（wasf）；情感；列维纳斯

並列摘要

The commonsensical acknowledgement of the tie between emotion and poem often assumes a layman's understanding of emotion, lacking the theoretical depth and fruitfulness that contemporary critical studies on the feeling brain, ethics and poetry now afford. This paper will take an interdisciplinary approach that combines congruent theoretical threads from neuroscience, ethical theories and modern poetry criticism to examine how emotion holds the key in interpreting and applying biblical poetry. A close reading of Song 4:1-7, which has caused confusion among interpreters, will serve to illustrate the point. This reading will reveal how the lover's delight constitutes the base shade of the poem, how the imageries are cued by his aesthetic delight, and how words are strung into pictures, in order to embody the authenticity of his exuberant delight and provoke this emotion in the audience. This paper will conclude with a brief exposition on a theoretical sketch of emotion and sensibility, as well as their ethical importance in lyrical experiences.

並列關鍵字

poetic materiality ； susceptibility ； wasf ； emotion ； Emmanuel LEVINAS

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